Glazed Brick with Bird Man

Assyrian, Mesopotamian
On View

in

Ancient Middle East Gallery, Level 1, West Wing

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About the Artwork

The walls of Assyrian palaces and temples were sometimes adorned with glazed terracotta decoration. A tradition for using glazed brick as wall adornment began in the ancient Near East during the thirteenth century BCE in southern Iran. The Birdman, a magical creature, appeared first in the third millennium BCE as a mischievous being who was bound and brought before the gods. By the late neo-Assyrian period, his role is less clear: here he seems beneficent, his arms raised to support, in all probability, a winged sun-disk, the symbol of divinity.

Glazed Brick with Bird Man

between 900 and 650 BCE

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Mesopotamian

Assyrian

Glazed terracotta

Overall: 13 1/2 × 13 1/2 × 3 3/4 inches (34.3 × 34.3 × 9.5 cm)

Sculpture

Ancient Near Eastern Art

Founders Society Purchase, Cleo and Lester Gruber Fund and the Hill Memorial Fund

1989.68

This work is in the public domain.

Markings

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Provenance

(Sotheby's, New York, New York, USA)

1989-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

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Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

"Selected recent acquistions," Bulletin of the DIA 65, no. 4, 1990, p. 55, (ill).

Bulletin of the DIA 66, no. 2/3, 1990, title page, (ill).

Henshaw, Julia P., ed. A Visitors Guide: The Detroit Institute of Arts. Detroit, 1995, p. 97 (ill.)

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Catalogue Raisoneé

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Credit Line for Reproduction

Assyrian, Mesopotamian; Neo-Assyrian, Mesopotamian, Glazed Brick with Bird Man, between 900 and 650 BCE, glazed terracotta. Detroit Institute of Arts, Founders Society Purchase, Cleo and Lester Gruber Fund and the Hill Memorial Fund, 1989.68.

Glazed Brick with Bird Man
Glazed Brick with Bird Man