Global Imaginaries, Individual Realities Artist Lecture: ESTHER SHALEV-GERZ
Wednesday, April 10, 2013
7:00 PM – 9:00 PM Marvin & Betty Danto Lecture Hall
Organized in conjunction with the DIA’s Shirin Neshat exhibition,GLOBAL IMAGINARIES¦Individual Realities is a series of lectures that establishes a platform for artists and their communities to enter into a wider conversation about socially engaged art. The ‘imaginary’ is a sociological term which describes the unspoken understanding between individuals within a society who all agree to function within the same ethical, cultural and political frameworks. The ‘global imaginary’ is an idea that expands on this notion, describing the social networks emerging between people from all over the world, assisted by innovations in technology such as the internet. In this lecture series we turn to several prominent artists whose work focuses on the role of art within the social and political sphere and invite a socio-cultural anthropologist, a political activist and sociologist of culture to discuss the role of art in shaping the global imaginary. This program will explore the underlying notions that shape our expectations of society and consider art as a social medium to navigate the vicissitudes of our imagined narratives.
Based in Paris, Esther Shalev-Gerz is internationally recognized
for her seminal contributions to the field of art in the public realm and
her consistent investigation into the nature of democracy, cultural memory and
the politics of public space. For over 20 years her work has focused
on interventions and projects in public space, taking the form of
collaboration and exchange with the audience. Her installations and
photographic work raise questions on group memory and its interaction with
personal history and souvenir. In these commemorative
monuments, installations, video and photographic works, questions about
history are posed, and its relationship with collective memory is explored
and investigated.
She is a Professor at Valand School of Fine Arts, University of
Gothenburg, Sweden where she is currently leading an international research
project on Trust and the Unfolding Dialogue funded by the Swedish Research
Council. Current and recent exhibitions include: a retrospective at the Musée
Cantonal des Beaux-Arts de Lausanne with a catalogue published by JRP|Ringier
(22 September 2012-6 January 2013); an installation of MenschenDinge as part of
the group exhibition Newtopia at Kazerne Dossin, Mechelen, Belgium (1 December
2012-31 March 2013); Describing Labor at Wolfsonian-FIU, Miami (5 December
2012-7 April 2013); Kamloops Art Gallery, Kamloops (2012); Jeu de Paume, Paris
(2010); Vilnius Art Academy Gallery, Vilnius (2009); Maritime Museum,
Greenwich, (2007); Stiftung Gedenkstätten Buchenwald und Mittelbau-Dora, Weimar
(2006); Sprengel Museum, Hannover (2002); Historiska Museet, Stockholm (2002)Museet,
Stockholm (2002).
Sponsored by Friends of Modern and Contemporary Art and The Center for hte Study of Citizenship at Wayne State University.


