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The American Southwest
Adams went often to the Southwest, photographing the scenery, the
local architecture, the pueblos (villages), Indian ruins, and even
the vegetation—all so different from the familiar subjects of
Yosemite Valley and San Francisco. Adams visited the Southwest with
friends such as David McAlpin, Georgia O’Keeffe, and Beaumont
and Nancy Newhall; photographed the national parks for the Department
of the Interior; worked on many book and magazine projects; and fulfilled
various commercial assignments, including making vast Kodak Coloramas
for New York’s Grand Central Station.

Shooting with a 35 mm camera—without a tripod or large-format
camera—Adams captured friend, Georgia O’Keeffe and their
guide, Orville Cox, against a cloud-filled sky. Years later he wrote:
“This photograph recalls for me the brilliant afternoon light
and the gentle wind rising from the canyon below. I remember that
we watched a group of Navajos riding their horses westward along the
wash edge, and we could occasionally hear their singing and the echoes
from the opposite cliffs.”
Ansel Adams, American; Georgia O’
Keeffe and Orville Cox, Canyon de Chelly National Monument, Arizona,
1937; printed ca. 1955; gelatin silver print. The Lane Collection.
©2007 The Ansel Adams Publishing Rights Trust.

Moonrise is one of the most famous landscape photographs
ever made. It was taken very late in the afternoon, when Adams was
driving his Pontiac station wagon along Highway 84 toward Santa Fe.
The rising moon caught his attention. Acting quickly, Adams stopped
and frantically began to set up his camera. Unable to find his light
meter, he estimated an exposure time, released the shutter seconds
before the sun slipped away, and the town fell into the shadow.
Ansel Adams, American; Moonrise, Hernandez,
New Mexico, 1941; printed date:1965–75; gelatin silver
print. The Lane Collection. ©2007 The Ansel Adams Publishing
Rights Trust.
Left corner image: Ansel Adams, American; Georgia O’ Keeffe and Orville Cox, Canyon de Chelly National Monument, Arizona, 1937; printed ca. 1955; gelatin silver print. The Lane Collection. ©2007 The Ansel Adams Publishing Rights Trust. |
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