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A New Style of Portraiture
When first exhibited in the United States in 1881,
Whistler's Symphony in White, No. 1: The White Girl created
a sensation among artists. The next year, scores of American artists
took up the challenge of portraying their subjects in white and
set against a light background.
Whistler's white-on-white color scheme was very unusual
at the time, and his choice of title – referring to a symphony–
associates the painting with the suggestive nature of music.
In Robert Henri's The Art Student, a young
woman strikes the same pose as Whistler's White Girl but
instead of shades of white, Henri uses a dark palette. His model also
holds the tools of her trade, a clutch of paintbrushes, in place of
a symbolically laden lily.
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James McNeill Whistler, Symphony
in White, No. 1: The White Girl, 1862, oil on canvas.
Photograph © 2003 Board of Trustees, National
Gallery of Art, Washington, D.C. |
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Robert Henri, The Art Student
(Miss Josephine Nivison), 1906, oil on canvas.
Milwaukee Art Museum. |
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