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Samurai: Beyond the Sword coming to Detroit Institute of Arts in March - Armor, swords, paintings, ceramics and more showcase culture of Japan’s elite samurai

Thursday, January 09, 2014

Contact:   Pamela Marcil 313-833-7899 pmarcil@dia.org www.dia.org

(Detroit)—There is a lot more to the legendary Japanese samurai than meets the eye, and visitors to the Detroit Institute of Arts (DIA) exhibition Samurai: Beyond the Sword will experience the nuanced culture of these revered warriors through more than 125 artworks that tell their story. The exhibition is on view March 9–June 1, 2014.

Samurai: Beyond the Sword is based on the traveling exhibition Lethal Beauty: Samurai Weapons and Armor, from the collection of the Clark Center for Japanese Art and Culture. Birgitta Augustin, DIA associate curator and acting department head of Arts of Asia & the Islamic World, along with consultant Masako Watanabe, curated Samurai: Beyond the Sword

The exhibition offers an in-depth look at the samurai—shoguns (supreme military rulers), daimyo (regional lords) and soldiers—who sought balance between military and cultural pursuits. The exhibition explores artworks that project the image of the samurai not only as fierce warriors but also as patrons of the arts and sophisticated artists and scholars during the relatively peaceful Edo period (1603–1868). 

“There has long been a fascination with Japan’s elite samurai warriors,” said Graham W. J. Beal, DIA director. “Some people might not be aware that to become a samurai, study of the arts and literature was required, along with military training. The artworks in the exhibition provide a look at these various facets of samurai culture.”

Menacing suits of armor and meticulously crafted sword blades are evidence of the samurai's military might, while exquisitely painted scenes of nature and finely crafted tea ceremony objects reveal their aesthetic ideals. Many objects used for battle are embellished with artistic, literary and spiritual symbols, illustrating the integration of samurai values. 

Among the artworks are helmets, face masks, and paintings of legendary Buddhist and Chinese figures, as well as scenes of epic battles, shimmering Noh theatre costumes and illustrated classical literature on screen and scroll paintings. These and other objects reveal the principles of awareness and mindfulness that samurai pursued throughout their lives.

Samurai means “one who serves,” and, at one point, they were warriors who served Japan’s emperor and nobility as swords for hire. Over time, the samurai organized into powerful warrior bands with the manpower and military training to grasp political control for themselves. For several centuries, warring samurai factions battled for land and supremacy.

This changed in 1603, when the country was unified by Tokugawa leyasu, the supreme military ruler, known as the shogun. The rigid laws and social hierarchy he and his successors enforced kept Japan relatively peaceful under the Tokugawa rule for more than 250 years. As warfare became less prevalent, samurai military equipment became powerful displays of warrior heritage, pride and power.

The samurai were officially disbanded in 1876 and were no longer permitted to carry swords. The exhibition presents innovative examples of how samurai weapons and fittings were recycled and given new purposes, such as a bonsai basin from sword sheaths and a pill box from sword fittings.

An array of programs will be offered to enhance the themes in the exhibition, including artist demonstrations of a Japanese tea ceremony, floral arranging, martial arts, kiting, bunraku-inspired puppets and performances on traditional Japanese instruments. Among the Detroit Film Theatre offerings are The Sword of Doom from 1965; A Story of Floating Weeds, a 1934 silent film presented with live music; and 2004’s The Twilight Samurai, winner of 12 Japanese Academy Awards.   

A special preview will be hosted by the DIA auxiliary Asian & Islamic Art Forum on March 8 from 6 to 10 p.m. Tickets are $250 and include a reception with cocktails and hors d'oeuvres, a three-course dinner with a Japanese flair, an exhibition viewing and valet parking. Ticket information is available at www.dia.org/aiaf.

A catalog of the traveling exhibition, Lethal Beauty: Samurai Weapons and Armor, is available in soft cover for $20 in the DIA’s museum shop. A special issue of the DIA’s Bulletin, featuring essays by nine experts on the art and arts of Japan’s warriors, will be available in the museum shop for $15.

Exhibition tickets are on sale now and are $16 for adults, $8 for ages 6–17, and free for DIA members. Group tickets (15+) are $12 per ticket and discounts are available for early reservations. Purchase at DIA Box Office, dia.org or 313.833.4005. A $3.50 charge applies to nonmember tickets not purchased at the DIA. Tickets are timed, and advance purchase is recommended.

This exhibition is organized by the Detroit Institute of Arts, based on the original exhibition Lethal Beauty, curated by Dr. Andreas Marks for the Clark Center for Japanese Art and Culture, with tour organized by International Arts & Artists, Washington, DC. 

In Detroit, the exhibition is generously supported by Toyota, DENSO International America, Inc., E. Rhodes and Leona B. Carpenter Foundation, and Yazaki North America, Inc.

Ed. Note: Save the Date – Media preview March 6, 10 a.m.

Hours and Admission
Museum hours are 9 a.m.–4 p.m. Tuesdays–Thursdays, 9 a.m.–10 p.m. Fridays, and 10 a.m.–5 p.m. Saturdays and Sundays. General admission (excludes ticketed exhibitions) is free for Wayne, Oakland and Macomb county residents and DIA members. For all others, $8 for adults, $6 for seniors ages 62+, $4 for ages 6–17. For membership information, call 313-833-7971.

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The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first Van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA’s collection is known for its quality, range, and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.

Programs are made possible with support from residents of Wayne, Oakland and Macomb counties.