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Photo ©2013, Detroit Institute of Arts
SAINT JEROME IN HIS STUDY
Jan van Eyck(Netherlandish, c. 1395 - 1441)
- Date
- c. 1435
- Medium
- Oil on linen paper on oak panel
- Dimensions
- Panel: 8 1/8 x 5 1/4 in. (20.6 x 13.3 cm) paint film: 7 7/8 x 4 7/8 in. (19.9 x 12.5 cm) Framed: 12 1/4 x 9 x 2 in. ( 31.1 x 22.9 x 5.1 cm)-sight
- Department
- European Painting
- Classification
- Paintings
- Credit
- City of Detroit Purchase
- Accession No.
- 25.4
- Provenance
- Duke of Mantua, Ferdinando Carlo Gonzaga (1652-1708); Venice, Field Marshall Johann Matthias von der Schulenberg (died 1747), acquired before 1738; Berlin, Schulenberg family, October 1738 (cited as no. 38 "Andreas Mantegna" in family inventories 1741, 1774); by descent through Schulenberg family, possibly kept at their home Hehlen, near Hanover Berlin, Paul Bottenwieser (dealer), 1924-25, from whom acquired by the DIA. Possible provenance proposed by E. Panofsky: painted for Cardinal Niccolò Albergati (d.1443) acquired by his estate executor Tommaso Parentucelli (later Pope Nicholas V) acquired by Medici family (described in inventory of 1492). See also proposed provenance in Eidelberg & Rowlands, 1994.
- Keywords
- oak, oil, paint, panel, religion, christian
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¦The World of Bruegel¦, New York: Time-Life Books, 1968, p 28, repr, (as by van Eyck and Petrus Christus.)
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Mori, Y. "St. Jerome in his Study at the Detroit Institute of Arts," ¦Bulletin of the Women's College of Arts¦ [Joshi Bijutsu Daigaku Kiyo, Tokyo], no. 3 (March 1971): 21- 53, ill. figs 1, 3, 4, 8, 19 [in Japanese].
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Briels, J. "Die Antwerpse Kunstverzamelaar Peeter Steevens (1590-1668) en zijn Constkamer," ¦Koninklijk Museum voor Schone Kunsten - Antwerpen: Jaarboek¦, 1980, pp. 137-226 (see pp. 183-186, ill. p. 185, fig. 22).
Dhanens, E. ¦Hubert and Jan van Eyck,¦ Antwerp, 1980, pp 370-371, ill. p. 366, fig 232.
Châtelet, A. "Un collaborateur de Van Eyck en Italie," ¦Relations Artistiques entre les Pays-Bas et l'Italie à la Renaissance: Études Dédiées à Suzanne Salzberger¦, series Études d'Histoire de l'Art / L'Institut Historique Belge de Rome , vol. 4. Brussels / Rome, 1980, pp.43-60 (see pp. 58-59, fig. 14).
Châtelet, A, ¦Early Dutch Painting¦, New York, 1981, pp. 42, 201-202, no. 33, pl. 36 (as by Hand H).
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Hunter, J. "Who is Jan van Eyck's 'Cardinal Nicolo Albergati'?" ¦The Art Bulletin¦ 75, 2 (June 1993): 207-18 (see pp. 210-212, 215, ill. p. 212, fig.5).
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Pächt, O. ¦Van Eyck and the Founders of Early Netherlandish Painting¦, London, 1994, pp. 53-54, fig. 35.
Lievens-de Waegh, M.-L. "L'Iconographie: Les Sujects des Oeuvres," in ¦Les Primatifs flamands et leur temps¦, Wesmael, Belgium, 1994, p. 292.
Stroo, C., and Smeyers, M. "Les Peintres et leurs oeuvres: Hubert et Jean van Eyck," in ¦Les Primitifs flamands et leur temps¦, Wesmael, Belgium, 1994, p. 185, color ill.
Rohlmann, M. "Auftragskunst und Sammlerbild. Altniederländische Tafelmalerei im Florenz des Quattrocento," Alfter (Rhein), dissertation for univ. Cologne, 1994, pp. 97-100.
Heller, B., and Stodulski, L.P. "Recent Scientific Investigation of the Detroit ¦St. Jerome¦," in ¦Petrus Christus in Renaissance Bruges: an interdisciplinary approach¦, symposium paper presented at the Metropolitan Museum of Art, 12 June 1994, ed. by M.W. Ainsworth, New York and Turnhout, 1995, pp 131-142, ill plates 9-19 (¦Discussion: Response to B. Heller¦, by M. Faries, pp 145-146; by J.R.J. van Asperen de Boer, pp 146-147; comment by R. Wieck, pp 147-148; response to comment by Van Asperen de Boer, p 148).
Klein, P. "Dendrochronological Findings of the van Eyck-Christus-Bouts Group," in ¦Petrus Christus in Renaissance Bruges: an interdisciplinary approach¦," (see Heller/Stodulski above), p 152, table 4.
Sander, J. ¦Niederländische Gemälde im Städel 1400-1550,¦ Mainz, 1995, p. 230, fig. 142 (cited under inv. no. 1091, St. Jerome by G. David).
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Nuttal, P. "Domenico Ghirlandaio and Northern Art," ¦Apollo¦, 143, 412 (1996): 18-19 (article pp. 16-22).
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Randall, L.M.C. ¦Medieval and Renaissance Manuscripts in the Walters Art Gallery¦, volume 3 "Belgium, 1250-1530", Baltimore/London, 1997, part 1, p. 208 (in cat. 243, comparison with image of St. Jerome in an Eyckian/Gold Scrolls Book of Hours, Bruges, c. 1450, W. 721, f. 277v).
Strehlke, C. B. "Jan van Eyck: Un Artista per il Mediterraneo," in Turin, Galleria Sabauda / Philadelphia Museum of Art, "Jan van Eyck: Opere a confronto," exh. cat., Turin, 1997, p. 58, fig. 36 (article pp. 55-76).
Hall, E. "The Detroit St. Jerome in Search of Its Painter," ¦Bulletin of the DIA¦, v. 72., no. 1/2, 1998, pp. 10-37, repr.
Heller, B. & L. Stodulski, "St. Jerome in the Laboratory: Scientific Evidence and the Enigmas of an Ecykian Panel," ¦Bulletin of the DIA¦, v. 72, no. 1/2, 1998, pp. 38-55, repr.
Christiansen, K. "The View from Italy," in ¦From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art¦, New York, 1998, pp. 43, 45, [47, 49], 60 ftnt 16.
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Sterling, C. and Ainsworth, M.W. "Virgin and Child," ¦Fifteenth- to Eighteenth-Century European Paintings: France, Central Europe, The Netherlands, Spain, and Great Britain¦, series: Robert Lehman Collection, vol. 2, New York, 1998, p. 24, note 6 (attrib. to workshop of Jan van Eyck).
Ainsworth, M. W. ¦Gerard David: Purity of Vision in an Age of Transition¦, New York, 1998, p. 157.
Locher, H. ¦Domenico Ghirlandaio Hieronymus im Gehäuse, Malerkonkurrenz und Gelehrtenstreit¦, Frankfurt am Main, 1999, pp. 39-41, 63 (ill. p. 42, fig. 17; det. p. 64, fig. 26).
Osano S., "Speculation on the Detroit Institute of Arts's St. Jerome in His Study : The History of Its Philosophical Aspects and Their Acceptance," in ¦Studies in Western Art¦, issue 1, 1999, pp. 8-32 (ill. and color detail on cover) (in Japanese).
Venice, Palazzo Grassi. "Il Rinascimento a Venezia e la pittura del Nord ai tempi di Bellini, Dürer, Tiziano," 1999, no. 15, p. 212, color ill. p. 213. (entry by B. Aikema); pp. 214, 216.
Rubin, P. & A. Wright, ¦Renaissance Florence: The Art of the 1470s¦, London, National Gallery Publications Limited, 1999, p. 42, fig. 22.
Bek, L., ¦Leon Battista Alberti: Om Billedkunsten¦, Copenhagen, 2000, color repro. p. 32 (as by Jan van Eyck and Petrus Christus).
Campbell, L., "Jan van Eyck, Early Netherlandish Painting and Southern Europe," (review of exhibition), ¦Burlington Magazine¦, vol. 144, no. 1191 (June 2002), pp. 367-371 (ill. p. 371, no. 43).
Giorgi, R., ¦Saints in Art¦, series "Guide to Imagery" ed. by S. Zuffi, transl. from Italian by T. M. Hartmann, Los Angeles, 2003, p. 180 (color repro).
(originally publ. in Italian, Milan: Elemond, 2002).
Puppi, L. ¦Antonello da Messina. San Girolamo nello Studio¦, Milan, 2003, pp. 31-32, 35, 45-46, repro. color p. 29.
Nuttal, P., ¦From Flanders to Florence. The Impact of Netherlandish Painting, 1400-1500¦, New Haven & London, 2004, pp. 107-108.
--mentioned in review by. B. Aikema, ¦Burlington Magazine¦, vol. 148 (Feb. 2006), pp. 121-2 (specifically p. 122).
Châtelet, A. (ed.), "Les peintres flamands et l'Italie," ¦Van Eyck et la diffusion de l'art flamand¦, series ¦Dossier de l'Art¦ no. 119, 2005, pp.48-59, esp. p. 53, color repro. p. 53 (as by "Jan Coene (?)")
Dresden, Staatliche Kunstsammlungen, "Das Geheimnis des Jan van Eyck," exh. cat., 2005, p. 204, repro. fig 1 (not in exhibit, cited under cat. 75).
Evans, M. "The After-Life of St. Jerome: Giovanni Bilivert's Portrait of Neri Corsini", ¦Ciracumdederunt me amici multi: A Tribute to James Marrow from his Friends,¦ Turnhout, 2006, pp. 189-196.
London, Victoria & Albert Museum, "At Home in Renaissance Italy", 2006-2007, pp. 293, 366, cat. 223, repr. (not in exhibition).
Frankfurt, Städel Museum, "Fokus auf Meister des Hausbuchs (Umkreis): Hieronymus und sein Löwe, 1480 (Inv. Nr. 1215)," exh. and booklet by B. Brinkmann and G. Dette, 2008, p. 4, color repro p. 5, fig. 1 (not in exhibition - as follower of Van Eyck).
Florence, Galleria Palatina, "Firenze e gli antichi Paesi Bassi 1430 - 1530 dialoghi tra artisti: da Jan van Eyck a Ghirlandaio, da Memling a Raffaello...", exh. cat. 2008, pp. 86-88 (entry by Judie Bogers. As Jan van Eyck (?))
Brown, B.L, "Florence and the Netherlands", The Burlington Magazine , vol CL, n.1266, September 2008, p.639, color repro (as Jan van Eyck (?))
¦Erwin Panofsky Korrespondenz 1910 bis 1968¦, 4 vols, Harrassowitz Verlag Wiesbaden, 2008, edited by Dieter Wuttke, vol IV, p. 174, 792.
Deneffe, D., "La miniature eyckienne," in ¦Miniatures flamandes 1404-1482¦, exh. cat., Paris and Brussels, 2011, p. 169 (article pp 166-171).
Friedländer, M. J. "Neues über Petrus Christus." ¦Der Kunstwandere¦ 6 (1925): 297-298.
Borenius, T. "A Petrus Christus for Detroit," ¦Apollo¦ 1 (May 1925): 290, ill. p. 291.
Strümpell, A. "Hieronymus im Gehäuse," ¦Marburger Jahrbuch für Kunst- wissenschaft¦ 2 (1925-26): 173-252.
London, Burlington House, "Exhibition of Flemish and Belgian Art," 1927, no. 14 (cat. compiled by M. Conway).
Lambotte, P. "The Exhibition of Flemish and Belgian Art, 1300-1900 (Burlington House, 1927), part II," ¦Apollo¦ 5 (Feb.?1927): 51-61 (see p. 51), ill. p. 54.
Fry, R. "Flemish Art at Burlington House, part I: The Primitives," ¦Burlington Magazine¦ 50, 287 (Feb. 1927): 59-73 (see p. 67, ill. p. 68, pl. III B).
Baldass, L. "Die Niederländer des 15. und 16. Jahrhunderts auf der Austellung Flämischer Kunst in London 1927," ¦Belvedere¦ 11, 57 (Sept. 1927): 80-85 (see p. 82).
Winkler, F. ¦Festschrift für Max. J. Friedländer¦, Berlin, 1927, p ?.
Heil, W., ¦Catalogue of Paintings in the Permanent Collection of The Detroit Institute of Arts,¦ Detroit, 1930, cat. 33, repr.
Chicago, Chicago Art Institute, "Century of Progress" 1933, no. 35 (cat. compiled by D.C. Rich et al).
Toledo, Toledo Museum of Art, "Exhibition of French and Flemish Primitives," 1935, no. 5.
Cleveland, "20th Anniversary Exhibition" (Official Art Exhibition of the Great Lakes Exposition,) 1936, no. 186.
Richardson, E. P., DIA, ¦Flemish Painting of the Fifteenth and Sixteenth Centuries,¦ Detroit, 1936, unpaginated, fig. 1 (as Jan van Eyck and Petrus Christus).
Friedländer, M. J. ¦Die Altniederländische Malerei¦, Leiden, 1937, vol 14, p 79 [English ed. ¦Early Netherlandish Painting¦, Leiden/Brussels, 1967, vol. 1, p. 104, pl. 103}.
New York, New York World's Fair, ¦Masterpieces of Art¦, exh. cat., 1939, no. 114, p. 57, ill. pl. 47 (cat. compiled by G.H. McCall, ed. by W.R. Valentiner).
Worcester, Worcester Art Museum, and Philadelphia, John G. Johnson Collection, "Worcester-Philadelphia Exhibition of Flemish Painting," 1939, no. 2 (cat. compiled by H. Marceau et al).
New York, Knoedler and Co., ¦Primitive Flemish Masters¦, April, 1942, no. 2.
Elst, Baron J. van der. ¦The Last Flowering of the Middle Ages¦, Garden City, N. J., 1944, pl. 51 (as Petrus Christus).
Richardson, E. P. (ed.), Detroit, DIA, ¦Catalogue of Paintings,¦ 1944, p. 45, no. 33 (as Jan van Eyck and Petrus Christus).
Diehl, E. ¦Bookbinding: Its Background and Technique¦, New York-Toronto, 1946, vol. 1, frontispiece.
Cambridge, MA, Fogg Art Museum, "Early Flemish Paintings," 1948.
Paris, Musée de l'Orangerie, "La Nature Morte de l'Antiquité Ã nos Jours" 1950, p. 12 (cat entry by C. Sterling as "copie d'un original perdu......?")
Baldass, L. "The Ghent Altarpiece of Hubert and Jan van Eyck, Part II," ¦The Art Quarterly¦ 13, 3 (Summer 1950): 182-195 (see p, 194, n.13).
Fry, R. ¦Van Eyck¦, London: Phaidon, 1952, no. 5.
Meiss, M. "Nicholas Albergati and the Chronology of Jan van Eyck's Portraits," ¦Burlington Magazine¦ 94, 5 (May 1952):137-145 (see p. 144, n. 37)
Bazin, G. "Detroit Petrus Christus et les Rapports entre l'Italie et la Flandre au Milieu du 15ème Siècle", ¦La Revue des art¦ new series vol. 4 (Dec. 1952): 194-208.
Panofsky, E. ¦Early Netherlandish Painting¦, Cambridge, MA, 1953, pp.189-190, fig. 258.
Held, J. S., "Review of Erwin Panofsky, Early Netherlandish Painting, Its Origin and Character", ¦Art Bulletin,¦, vol. 37, 1955, ppp. 205-234, esp. p. 218.
Panofsky, E. "A Letter to St. Jerome - A Note on the Relationship Between Petrus Christus and Jan van Eyck", ¦Studies in Art and Literature for Belle da Costa Greene¦, ed. by D. Miner, Princeton, NJ, 1954, pp. 102-108.
Weiss, R. "Jan van Eyck's 'Albergati' Portrait," ¦Burlington Magazine¦ 97, 626 (May 1955): 145-147.
Neugass, F. "Ein verscholler Van Eyck aus der Medici-sammlung in Museum in Detroit," ¦Die Weltkunst¦ 26, 18 (Sept. 15, 1956): 4, cover ill. (before and after restoration).
Richardson, E. P. "The Detroit 'St. Jerome' by Jan van Eyck," ¦The Art Quarterly¦ 19, 3 (Autumn, 1956): 226-235, ill. [condensed version: "New Light upon the Jan van Eyck ¦St. Jerome¦," ¦Bulletin of the DIA¦ 36, 1 (1956-57): 2-4, ill + cover].
Châtelet, A. "Les Enluminures eyckiennes des mss. de Turin et de Milan-Turin," ¦Revue des arts¦ n. 4 (1957): 155-164 (see pp. 161-162, ill. p. 163).
Comstock, A. "A Van Eyck Discovery," ¦Connoisseur¦, 138 (Jan. 1957): 277-278.
Bergström, I. "Medicins, Fons et Scrinium: A Study in Van Eyckean Symbolism and Its Influence in Italian Art," ¦Särtryck ur Konsthistorisk Tidskrift¦ (1957): 1-20 ill. fig. 1.
Holt, E.G. ¦A Documentary History of Art¦, New York, 1957, no 20 (ill. only)
Raleigh, North Carolina Museum of Art, "Masterpieces of Art," 1959, supplement 48.
Bruges, Groeninge Museum "Le Siècle des Primitifs Flamands" 1960, pp. 41-45, cat. 3, repr. (cat. entry by H.Pauwels).
Detroit, DIA, ¦Flanders in the Fifteenth Century: Art and Civilization¦, exh. cat., 1960, no. 5, pp. 28, 69-72, ill. (entry by J. Folie).
Winkler, F., "Ausstellung Altniederländischer Bilder aus Amerika in Brügge", Kunstchronik, vol. 13, no. 11, Nov., 1960, pp. 312-316, esp. p. 312.
Fryns, M. "Crónica de Bruselas," ¦Goya¦ no. 40 (Jan.-Feb. 1961): 288-292 (see p 288, ill.).
Denis, V. ¦All the Paintings of Jan van Eyck¦, New York, 1961, p 58, ill. no 146.
Faggin, G. ¦Jan van Eyck¦, 1961.
Brewer, F.J. ¦Book Illustration¦, Berlin, 1963, p 55.
Pächt, O. "Zur Entstelung des 'Hieronymous im Gehäus'," ¦Pantheon¦ 21 (May/June 1963):131-142 (see p. 140, n. 18).
Rush, R.H. ¦Art as an Investment¦, Englewood Cliffs, N. J., pp 317-18 repr.
Hall, E.C."Cardinal Albergati, St. Jerome and the Detroit Van Eyck," ¦The Art Quarterly¦ 31, 1 (Spring 1968): 2-34, figs. 1, 8.
¦The World of Bruegel¦, New York: Time-Life Books, 1968, p 28, repr, (as by van Eyck and Petrus Christus.)
Faggin, G.T. ¦The Complete Paintings of the Van Eycks¦, Milan/New York, 1968, no. 33 pp. 98-99, ill.
Cuttler, C.D. ¦Northern Painting from Pucelle to Bruegel : Fourteenth, Fifteenth and Sixteenth Centuries¦, New York, 1968, pp. 104-105, ill. p. 104, fig. 121.
Chastel, A. ¦The Myth of the Renaissance 1420-1450¦, Geneva, 1969, pp 168-169, color ill. p. 170.
Peman y Pemartin, C. ¦Juan van Eyck y España¦, Cadiz, 1969, pp. 19, 44, 67, 94; fig. 19.
Fahy, E. "A Portrait of a Renaissance Cardinal as St. Jerome," ¦Minneapolis Institute of Arts Bulletin¦ 59 (1970): 5-19 (see p. 9, ill. p. 7, fig. 5).
Hall, E. "More About the Detroit Van Eyck: The Astrolabe, The Congress of Arras and Cardinal Albergati," ¦The Art Quarterly¦ 34 (Summer, 1971): 180-201, figs. 1,2,4.
Cummings, F.J., and Elam, C.H., eds. ¦Detroit Institute of Arts Illustrated Handbook¦, Detroit, 1971, p 78, color pl. 18.
Baxandall, M. ¦Giotto and the Orators¦, Oxford, 1971, pl 10.
Mori, Y. "St. Jerome in his Study at the Detroit Institute of Arts," ¦Bulletin of the Women's College of Arts¦ [Joshi Bijutsu Daigaku Kiyo, Tokyo], no. 3 (March 1971): 21- 53, ill. figs 1, 3, 4, 8, 19 [in Japanese].
Sterling, C. "Observations on Petrus Christus," ¦Art Bulletin¦ 53, 1 (March 1971): 1-26 (see p. 18, n. 66).
Schabacker, P.H. ¦Petrus Christus¦, Utrecht, 1974, no. 24, pp. 124-?, fig. 27.
Snyder, J. "?" ¦Album Amicorum J.G. van Gelder¦, 1973.
Sterling, C. "Jan Van Eyck avant 1432," ¦Revue de l'art¦ 33 (1976): NEED full pages (see pp. 56, 69, 72, nn. 5, 160).
Ward, J.L. "The Perception of Pictorial Space in Perspective Pictures," ¦Leonardo¦, 9, 4 (Autumn 1976): 279-288 (see p 283, fig. 7).
Howell, J.P. "Jan Van Eyck and St. Jerome. A Study of Eyckian Influence on Colantonio and Antonello da Messina in Quattrocento Naples," (unpublished dissertation, University of Pennsylvania, 1976), pp. 34-36 (more?).
DIA. ¦Selected Works from the Detroit Institute of Arts¦, Detroit, 1979, p. 55 (color ill.), 70.
Freidmann, H.A., ¦A Bestiary for Saint Jerome, Animal Symbolism in European Religious Art¦, Washington, D.C., 1980, p 42 repr.
Briels, J. "Die Antwerpse Kunstverzamelaar Peeter Steevens (1590-1668) en zijn Constkamer," ¦Koninklijk Museum voor Schone Kunsten - Antwerpen: Jaarboek¦, 1980, pp. 137-226 (see pp. 183-186, ill. p. 185, fig. 22).
Dhanens, E. ¦Hubert and Jan van Eyck,¦ Antwerp, 1980, pp 370-371, ill. p. 366, fig 232.
Châtelet, A. "Un collaborateur de Van Eyck en Italie," ¦Relations Artistiques entre les Pays-Bas et l'Italie à la Renaissance: Études Dédiées à Suzanne Salzberger¦, series Études d'Histoire de l'Art / L'Institut Historique Belge de Rome , vol. 4. Brussels / Rome, 1980, pp.43-60 (see pp. 58-59, fig. 14).
Châtelet, A, ¦Early Dutch Painting¦, New York, 1981, pp. 42, 201-202, no. 33, pl. 36 (as by Hand H).
Les Grands Maîtres de La Peinture 2, ¦Van Eyck¦, Tokyo, 1982, pl 37 (col). (in Japanese).
Jolly, P.H. "Antonello da Messina's 'St. Jerome in his Study': a disguised portrait?" ¦Burlington Magazine¦ 124, 946 (Jan. 1982): 27-29 (see pp 28-29).
Giltay, J. "Book review of Elizabeth Dhanens, Hubert and Jan van Eyck," ¦Simiolus¦ 13, 1 (1983): 54-57 (see p. 57).
Jolly, P.H. "Antonello da Messina's Saint Jerome in His Study: An Iconographic Analysis", ¦The Art Bulletin¦ 65, 2 (June 1983): 238-53 (see p. 242, n. 15, 251, ill. p. 252, fig. 12 (as "copy after?").
Castelfranchi Vegas, L., ¦Italia e Fiandra nella pittura del '400¦, Milan, 1983, (as anonymous student, perhaps Hand H) (German ed: ¦Italien und Flandern: die Geburt der Renaissance¦, Stuttgart and Zurich, 1984, p. 77, 129 ftnt 44, 195; French ed: ¦Flandre et Italie: Primitifs flamands et Renaissance italienne¦, Antwerp 1984, p. 78, 127 ftnt 44, 192).
Salvini, R. ¦Banchieri Fiorentini e pittori de Fiandra¦, Modena, 1984, pp 33 & 59 (several attributions), ill. color pl. 93 (printed backwards, labeled "Petrus Christus(?)").
Garzelli, A. "Sulla fortuna del ¦Gerolamo¦ mediceo del van Eyck nell'arte fiorentina del Quattrocento," in ¦Scritti di Storia dell'arte in onore di Roberto Salvini¦, Florence, 1984, pp. 347-353.
Henshaw, J.P., ed. ¦100 Masterworks from the Detroit Institute of Arts,¦ New York, 1985, pp. 13, 92, color ill. p 93.
Rice, E.F., Jr. ¦Saint Jerome in the Renaissance¦, Baltimore and London, 1985, pp 106-111, ill. p 107, fig 32.
"Van Eycke Das Geheimnis der Genialen Bruder," ¦Pan unsere herrliche Welt¦, M 3529E, Nov 11, 1985, pp 4-23, p 3 col repr.
Hayum, A. "Dürer's Portrait of Erasmus and the ¦Ars Typographorum¦," ¦Renaissance Quarterly¦ 38, 4 (Winter 1985): 650-687 (see pp 675, 677, fig. 17).
Marandel, J.P. "A Valentiner Legacy: the Broad Stream of European Painting," ¦Apollo¦ 124, 298 (1986): 488-489 (article pp. 486-497).
Madigan, B. "Van Eyck's Illuminated Carafe," ¦Journal of the Warburg and Courtauld Institutes¦, 49 (1986): 229 (article. pp. 227-230).
Jolly, P.H. "More on the Van Eyck Question: Philip the Good of Burgundy, Isabelle of Portugal, and the Ghent Altarpiece," ¦Oud Holland¦, 101 (1987): 243 (article pp. 237-253).
Klein, P. "Dendrochronologische Untersuchungen an Bildtafeln des 15. Jahrhunderts," in ¦Le dessin sous-jacent dans la peinture. Colloque VI, 12-14 septembre 1985. Infrarouge et autres techniques d'examen¦, ed. by H. Verougstraete-Marcq and R. Van Schoute, Louvain-la-Neuve, 1987, p. 31-32 (article pp. 29-40).
Rivière, J. "La nature morte des Pays-Bas. Du mythe à la réalité," ¦Bulletin de la Société des amis du Musée des Beaux-Arts de Rennes (numéro spéciale. La nature morte)¦, 5 (1987): 29 (article pp. 26-41).
Roberts, A.M. review of R. Salvini (see above), ¦The Art Bulletin¦ , 69 (1987): 471 (article pp. 470-472).
Smeyers, M. "A Mid-Fifteenth Century Book of Hours from Bruges in the Walters Art Gallery (MS.721) and Its Relation to the ¦Turin-Milan Hours¦", ¦Journal of the Walters Art Gallery¦ 46 (1988): 55-76 (see pp. 69- 70, fig. 18, and pp. 75-76, nn. 65-66).
Recht, R., and Châtelet, A. ¦Le Monde Gothique / Automne et Renouveau 1380-1500¦, Paris, 1988, p. 253, ill. fig. 206 (identified as "Hand H" aka Jean Coene).
Ames-Lewis, F. "On Domenico Ghirlandaio's Responsiveness to North European Art," ¦Gazette des Beaux-Arts¦, 131, 114 (1989): 111 (article pp. 111-122).
Bietenholz, P.G. "Erasmus von Rotterdam und der Kult des Heiligen Hieronymus," ¦Gesamtkatalog¦ Baden-Baden, 1989, pp. 191-221 (see p. 196, 210-211, ill. p. 198, fig. 2).
Hasenohr, G., "L'essor des bibliothèques privées aux XIVe et XV siècle," in ¦Histoire des bibliothèques françaises. Les bibliothèques médiévales du VIe siècle a 1530¦, Paris, 1989, p. 214 (ill.), 219, 258 (n. 41).
Upton, J. M. ¦Petrus Christus; His Place in 15th Century Flemish Painting,¦ Pennsylvania State University Press: 1990, pp 11-12, (see especialily footnotes)
Reis, A. Estácio dos. "Viagem à roda de um astrolábio pintado," ¦Oceanos¦ no. 7 (July 1991): 81-93 (see pp. 81-82, 89-92, color ill. p. 83).
Peck, W.H. ¦The Detroit Institute of Arts: A Brief History¦, Detroit, 1991, p. 75 (color ill.).
Quednau, R. "Kunstgeschichte im Europäischen Kontext: Italienische Frührenaissance und Nordeuropäisches Spätmittelalter," ¦Kunstchronik¦, 45 (1992): 193-194 (article pp. 186-211).
Cavalli-Bjorkman, G. "Hieronymus in der Studierstube und das Vanitasstilleben," in ¦Leselust: Niederlandische Malerei von Rembrandt bis Vermeer¦, exh. cat. Schirn Kunsthalle, Frankfurt, 1993, p. 49 (mention).
Hunter, J. "Who is Jan van Eyck's 'Cardinal Nicolo Albergati'?" ¦The Art Bulletin¦ 75, 2 (June 1993): 207-18 (see pp. 210-212, 215, ill. p. 212, fig.5).
Jardine, L. ¦Erasmus, Man of Letters: the construction of charisma in print¦, Princeton, NJ, 1993, pp. 79-80.
Cologne, Wallraf-Richartz-Museum, ¦Stefan Lochner / Meister zu Köln¦, exh. cat., 1993 - 1994, no. 16, p. 260, color ill. p. 261 (entry by D.R. Täube).
Stapleford, R. "Intellect and Intuition in Boticelli's Saint Augustine ," ¦The Art Bulletin¦, 76, 1 (March 1994): 69-80 (see pp. 69, 79 n. 33, ill. p. 71 fig 3).
New York, Metropolitan Museum of Art. "Petrus Christus, Renaissance Master of Bruges," 1994, no. 1, pp. 11-12, n. 13, 68-71, color ill. (entry by M.W. Ainsworth).
Eidelberg, M., and Rowlands, E.W. "The Dispersal of the Last Duke of Mantua's Paintings," ¦Gazette des Beaux-Arts¦ 123, 1504-1505 (May/June 1994): 207-287 (see pp. 237, 239, 251-254; n. 283-286; fig. 44).
Pächt, O. ¦Van Eyck and the Founders of Early Netherlandish Painting¦, London, 1994, pp. 53-54, fig. 35.
Lievens-de Waegh, M.-L. "L'Iconographie: Les Sujects des Oeuvres," in ¦Les Primatifs flamands et leur temps¦, Wesmael, Belgium, 1994, p. 292.
Stroo, C., and Smeyers, M. "Les Peintres et leurs oeuvres: Hubert et Jean van Eyck," in ¦Les Primitifs flamands et leur temps¦, Wesmael, Belgium, 1994, p. 185, color ill.
Rohlmann, M. "Auftragskunst und Sammlerbild. Altniederländische Tafelmalerei im Florenz des Quattrocento," Alfter (Rhein), dissertation for univ. Cologne, 1994, pp. 97-100.
Heller, B., and Stodulski, L.P. "Recent Scientific Investigation of the Detroit ¦St. Jerome¦," in ¦Petrus Christus in Renaissance Bruges: an interdisciplinary approach¦, symposium paper presented at the Metropolitan Museum of Art, 12 June 1994, ed. by M.W. Ainsworth, New York and Turnhout, 1995, pp 131-142, ill plates 9-19 (¦Discussion: Response to B. Heller¦, by M. Faries, pp 145-146; by J.R.J. van Asperen de Boer, pp 146-147; comment by R. Wieck, pp 147-148; response to comment by Van Asperen de Boer, p 148).
Klein, P. "Dendrochronological Findings of the van Eyck-Christus-Bouts Group," in ¦Petrus Christus in Renaissance Bruges: an interdisciplinary approach¦," (see Heller/Stodulski above), p 152, table 4.
Sander, J. ¦Niederländische Gemälde im Städel 1400-1550,¦ Mainz, 1995, p. 230, fig. 142 (cited under inv. no. 1091, St. Jerome by G. David).
Henshaw, J.P., ed. ¦The Detroit Institute of Arts: a visitor's guide¦, Detroit, 1995, p. 170, color ill.
Marijnissen, R.H., and Kockaert, L. "The Detroit Saint Jerome : The Story of an interdisciplinary approach," ¦Academiae Analecta¦ year 56, no. 1 (1996): 1-40 (ill.).
Nuttal, P. "Domenico Ghirlandaio and Northern Art," ¦Apollo¦, 143, 412 (1996): 18-19 (article pp. 16-22).
König, E. ¦Das Liebentbrannte Herz: Der Wiener Codex und der Maler Barthélemy d'Eyck¦, Graz, 1996, pp. 58-60, 62, 65, repro. p. 58, fig. 16 (attrib. to Jan van Eyck and Workshop).
Randall, L.M.C. ¦Medieval and Renaissance Manuscripts in the Walters Art Gallery¦, volume 3 "Belgium, 1250-1530", Baltimore/London, 1997, part 1, p. 208 (in cat. 243, comparison with image of St. Jerome in an Eyckian/Gold Scrolls Book of Hours, Bruges, c. 1450, W. 721, f. 277v).
Strehlke, C. B. "Jan van Eyck: Un Artista per il Mediterraneo," in Turin, Galleria Sabauda / Philadelphia Museum of Art, "Jan van Eyck: Opere a confronto," exh. cat., Turin, 1997, p. 58, fig. 36 (article pp. 55-76).
Hall, E. "The Detroit St. Jerome in Search of Its Painter," ¦Bulletin of the DIA¦, v. 72., no. 1/2, 1998, pp. 10-37, repr.
Heller, B. & L. Stodulski, "St. Jerome in the Laboratory: Scientific Evidence and the Enigmas of an Ecykian Panel," ¦Bulletin of the DIA¦, v. 72, no. 1/2, 1998, pp. 38-55, repr.
Christiansen, K. "The View from Italy," in ¦From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art¦, New York, 1998, pp. 43, 45, [47, 49], 60 ftnt 16.
Fahy, E. "How the Pictures Got Here," in ¦From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art¦, New York, 1998, p. 63.
Sterling, C. and Ainsworth, M.W. "Virgin and Child," ¦Fifteenth- to Eighteenth-Century European Paintings: France, Central Europe, The Netherlands, Spain, and Great Britain¦, series: Robert Lehman Collection, vol. 2, New York, 1998, p. 24, note 6 (attrib. to workshop of Jan van Eyck).
Ainsworth, M. W. ¦Gerard David: Purity of Vision in an Age of Transition¦, New York, 1998, p. 157.
Locher, H. ¦Domenico Ghirlandaio Hieronymus im Gehäuse, Malerkonkurrenz und Gelehrtenstreit¦, Frankfurt am Main, 1999, pp. 39-41, 63 (ill. p. 42, fig. 17; det. p. 64, fig. 26).
Osano S., "Speculation on the Detroit Institute of Arts's St. Jerome in His Study : The History of Its Philosophical Aspects and Their Acceptance," in ¦Studies in Western Art¦, issue 1, 1999, pp. 8-32 (ill. and color detail on cover) (in Japanese).
Venice, Palazzo Grassi. "Il Rinascimento a Venezia e la pittura del Nord ai tempi di Bellini, Dürer, Tiziano," 1999, no. 15, p. 212, color ill. p. 213. (entry by B. Aikema); pp. 214, 216.
Rubin, P. & A. Wright, ¦Renaissance Florence: The Art of the 1470s¦, London, National Gallery Publications Limited, 1999, p. 42, fig. 22.
Bek, L., ¦Leon Battista Alberti: Om Billedkunsten¦, Copenhagen, 2000, color repro. p. 32 (as by Jan van Eyck and Petrus Christus).
Campbell, L., "Jan van Eyck, Early Netherlandish Painting and Southern Europe," (review of exhibition), ¦Burlington Magazine¦, vol. 144, no. 1191 (June 2002), pp. 367-371 (ill. p. 371, no. 43).
Giorgi, R., ¦Saints in Art¦, series "Guide to Imagery" ed. by S. Zuffi, transl. from Italian by T. M. Hartmann, Los Angeles, 2003, p. 180 (color repro).
(originally publ. in Italian, Milan: Elemond, 2002).
Puppi, L. ¦Antonello da Messina. San Girolamo nello Studio¦, Milan, 2003, pp. 31-32, 35, 45-46, repro. color p. 29.
Nuttal, P., ¦From Flanders to Florence. The Impact of Netherlandish Painting, 1400-1500¦, New Haven & London, 2004, pp. 107-108.
--mentioned in review by. B. Aikema, ¦Burlington Magazine¦, vol. 148 (Feb. 2006), pp. 121-2 (specifically p. 122).
Châtelet, A. (ed.), "Les peintres flamands et l'Italie," ¦Van Eyck et la diffusion de l'art flamand¦, series ¦Dossier de l'Art¦ no. 119, 2005, pp.48-59, esp. p. 53, color repro. p. 53 (as by "Jan Coene (?)")
Dresden, Staatliche Kunstsammlungen, "Das Geheimnis des Jan van Eyck," exh. cat., 2005, p. 204, repro. fig 1 (not in exhibit, cited under cat. 75).
Evans, M. "The After-Life of St. Jerome: Giovanni Bilivert's Portrait of Neri Corsini", ¦Ciracumdederunt me amici multi: A Tribute to James Marrow from his Friends,¦ Turnhout, 2006, pp. 189-196.
London, Victoria & Albert Museum, "At Home in Renaissance Italy", 2006-2007, pp. 293, 366, cat. 223, repr. (not in exhibition).
Frankfurt, Städel Museum, "Fokus auf Meister des Hausbuchs (Umkreis): Hieronymus und sein Löwe, 1480 (Inv. Nr. 1215)," exh. and booklet by B. Brinkmann and G. Dette, 2008, p. 4, color repro p. 5, fig. 1 (not in exhibition - as follower of Van Eyck).
Florence, Galleria Palatina, "Firenze e gli antichi Paesi Bassi 1430 - 1530 dialoghi tra artisti: da Jan van Eyck a Ghirlandaio, da Memling a Raffaello...", exh. cat. 2008, pp. 86-88 (entry by Judie Bogers. As Jan van Eyck (?))
Brown, B.L, "Florence and the Netherlands", The Burlington Magazine , vol CL, n.1266, September 2008, p.639, color repro (as Jan van Eyck (?))
¦Erwin Panofsky Korrespondenz 1910 bis 1968¦, 4 vols, Harrassowitz Verlag Wiesbaden, 2008, edited by Dieter Wuttke, vol IV, p. 174, 792.
Deneffe, D., "La miniature eyckienne," in ¦Miniatures flamandes 1404-1482¦, exh. cat., Paris and Brussels, 2011, p. 169 (article pp 166-171).
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