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Photo ©2013, Detroit Institute of Arts
Mosquito Nets
John Singer Sargent(American, 1856-1925)
Staff Picks
“Sargent's portraits are often very formal. This painting is almost sketch-like. It has lots of movement. It's like a snapshot of a moment. ”
Kathryn Flood, Volunteer
- Date
- 1908
- Medium
- Oil on canvas
- Dimensions
- 22 1/2 x 28 1/4 in. 57.2 x 71.8 cm Framed: 36 1/4 x 42 1/8 x 2 5/8 in.
- Department
- American Art before 1950
- Classification
- Paintings
- Credit
- Founders Society Purchase, Robert H. Tannahill Foundation Fund, General Membership Fund, Gibbs-Williams Fund, Laura H. Murphy Fund, Dexter M. Ferry Jr. Fund, Elizabeth P. Kirby Fund, Elizabeth and Allen Shelden Fund, Merill Fund; gifts from Charles Willis Ward, Mrs. Gustavus D. Pope, Kate Minor, Newhouse Galleries, Miss Julia E.Peck, Detroit and Wayne County Tuberculosis Foundation, Anonymous Donor, Paul H. Townsend, Mrs. John L. Gardner, City of Detroit, Elizabeth Hughes Gossett, Mrs. George Kamperman, Mrs. Theodore Chapin Beebe, Recess Club, Mrs. Benjamin Goldberg, Mr. and Mrs. James O. Keene, Mrs. Mathias J. Alten, Mrs. Arthur McGraw, Mrs. E. Murray McKay, Mr. David Gray, Percy K. Loud, Mrs. William T. Barbour, Lawrence A. Fleischman, Mrs. Henry Gallison, Lillian Henkel Haass, Archives of American Art, Mr. Phillip Gray, Mrs. William R. Kales, Mr. and Mrs Harold O. Love, Mrs. George Hendrie, Mrs. Walter Shirlaw, Harrington Fitzgerald, Mrs. Lendall Pitts, Walter Piper, Gilbert M. Frimet, Colonel Frank J. Hecker, Mr. and Mrs. Edgar B. Whitcomb, Mrs. Mary B. Longyear, Edgar P. Richardson, John S. Newberry, Miss Florence Babbit, Margaret C. Horn, Armand H. Griffith, Mrs. William E. Scripps, Anne Goldthwaite, Miss Euphemia Holden, and Mr. and Mrs. James S. Holden by exchange.
- Accession No.
- 1993.18
- Provenance
- John Singer Sargent; to sister Emily Sargent until 1936; Emily Sargent to sister Violet (Mrs. Francis Ormond) until ca. 1948; Violet to son Henri Eric Conrad Ormond until 1979; Henri Eric Conrad to his son, John Ormond, until ca. 1993; to Coe Kerr Gallery, New York; to DIA in 1993.
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