Acts of Mercy: Burying the Dead

between 1460 and 1470

Simon Marmion French, 1425-1489

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Acts of Mercy: Burying the Dead

Artwork Date between 1460 and 1470

Artist Simon Marmion

Life Dates 1425-1489

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Watercolor, white bodycolor and gold on lined parchment

Dimensions Sheet: 1 5/8 × 1 1/8 inches (4.1 × 2.9 cm) Framed: 11 1/2 × 10 3/8 × 7/8 inches (29.2 × 26.4 × 2.2 cm)

Classification Manuscripts

Department Prints, Drawings & Photographs

Credit Founders Society Purchase, Anne E. Shipman Stevens Bequest Fund, and Julius H. Haass Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1993.50.4

Markings

Inscriptions ------

Provenance

Daniel Burckhardt-WIldt [1759-1819] (Basel)

April 25, 1983, sold by descendants (Sotheby's, London, England)

John R. Gaines (New York, USA)

November 17, 1986 (Sotheby's, New York, New York, USA)

Sam Fogg (London, England)

1993-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Single Leaves and Miniatures from Western Illuminated Manuscripts. Sales cat., Sotheby's, London, April 25, 1983, lot 137 (color ill.).

John R. Gaines Collection. Sales cat., Sotheby's, New York, November 17, 1986, lot 1, (color ill.).

Hindman, S. Medieval and Renaissance Miniature Painting. Sales cat., London, Hazlitt, Gooden & Fox Ltd, and Tokyo/Nagoya, Maruzen Co., 1988-1989, pp xiii, 74-75, cat. 35, (color ill.) [organized by dealers B. Ferrini, Akron, and S. Fogg, London].

Clark, G.T., "Chronology of the Louthe Master and His Identification with Simon Marmion," in Margaret of York, Simon Marmion, and the Visions of Tondal, symposium paper 21-24 June 1990, pub. Malibu, 1992, p. 206, note 6.

Brugerolles, E., The Renaissance in France: Drawings from the Ecole des Beaux-Arts, Paris, Cambridge, 1995, p. 4 (cited under cat. 1).

Clancy, S., "Miniatures in the 'Marmion Style'," Bulletin of the DIA 78, no. 1/2, 2004, pp. 40-53, repro fig. 4 & 9 (color).

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Catalogue Raisoneé

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Credit Line for Reproduction

attributed to Simon Marmion, Acts of Mercy: Burying the Dead, between 1460 and 1470, watercolor, white bodycolor and gold on lined parchment. Detroit Institute of Arts, Founders Society Purchase, Anne E. Shipman Stevens Bequest Fund, and Julius H. Haass Fund, 1993.50.4.