Adoration of the Shepherds

between 1615 and 1625

Carlo Bononi Italian, 1569-1632

Not On View

Image Only Image + Details All Images High Resolution TIFF Metadata

About the Artwork

Please note: This section is empty
Markings

Please note: This section is empty

This section contains information about signatures, inscriptions and/or markings an object may have.
Provenance

Please note: This section is empty

Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:
Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.
Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.
Catalogue Raisonné

Please note: This section is empty

A catalogue raisonné is an annotated listing of artworks created by an artist across different media.
Credit Line for Reproduction

Please note: This section is empty

The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Title Adoration of the Shepherds

Artwork Date between 1615 and 1625

Artist Carlo Bononi

Life Dates 1569-1632

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Italian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on wood panel

Dimensions Unframed: 11 7/8 × 9 11/16 inches (30.1 × 24.6 cm) Framed: 18 5/8 × 16 1/2 × 2 1/8 inches (47.3 × 41.9 × 5.4 cm)

Classification Paintings

Department European Painting

Credit Founders Society Purchase, Robert H. Tannahill Foundation Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 65.95

Markings

Inscriptions ------

Provenance

ca. 1935, possibly a private collection (Germany)

as late as 1959, Professor Herman Voss (Munich, Germany)

by 1962, (Frederick Mont, New York, New York)

1965-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Wiesbaden, Städtisches Museum, Italienische Malerei des 17. und 18. Jahrhunderts: eine Auswahl von Bildern aus der von der Stadt Wiesbaden un dem nassauischen Kunstverein veranstalteten Ausstellung, 1935, vol. 1, no. 22, p. 6; vol. II, pl. 6 (by count).

Maestri della Pittura del Seicento Emiliano, 2nd ed. (Exh. ?) cat., Palazzo dell'Archiginnasio. Bologna, 1959, cat. 33 [or 133?], pp. 256-257, pl. 133 [entry by A. Emiliani; owned by Hermann Voss].

A Loan Exhibition: Baroque Painters of Bologna and Neighboring Cities. Exh. cat., Finch College Museum of Art. New York, 1962, cat. 4 [entry by R. Manning; lent by Frederick Mont].

Emiliani, A. Carlo Bononi. Ferrara, 1962, p. 56, no. 55, pl. 37.

Art In Italy, 1600-1700. cat., DIA. Detroit, 1965, cat. 90, pp. 91, 92, (repr.) [entry by Dwight Miller].

Fredericksen, B. & F. Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. 1972, p. 32 [as by Carlo Bonone].

I dipinti reggianti del Bonone e del Guercino. Exh. cat., Basilica della B. V. della Ghiara. Reggio Emilia, 1982, p. 38.

Bissell, R. W., A. Derstine, and D. Miller. Masters of Italian Baroque Painting: The Detroit Institute of Arts. London, 2005, pp. 10, 11 (note 16), 32-33, cat. no. 10 [entry by Ward Bissell].

Derstine, Andria. "The Detroit Institute of Arts and Italian Baroque Painting." In Buying Baroque: Italian Seventeenth-Century Paintings Come to America, ed. Edgar Peters Bowron. University Park, 2017, p. 99.

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

Carlo Bononi, Adoration of the Shepherds, between 1615 and 1625, oil on wood panel. Detroit Institute of Arts, Founders Society Purchase, Robert H. Tannahill Foundation Fund, 65.95.