Bandit Taking up His Post

between 1773 and 1779

John Hamilton Mortimer English, 1741-1779

On View

British, Level 3, South Wing

Image Only Image + Details All Images High Resolution TIFF Metadata

About the Artwork

Please note: This section is empty
Markings

Please note: This section is empty

This section contains information about signatures, inscriptions and/or markings an object may have.
Provenance

Please note: This section is empty

Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:
Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.
Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.
Catalogue Raisonné

Please note: This section is empty

A catalogue raisonné is an annotated listing of artworks created by an artist across different media.
Credit Line for Reproduction

Please note: This section is empty

The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Title Bandit Taking up His Post

Artwork Date between 1773 and 1779

Artist John Hamilton Mortimer

Life Dates 1741-1779

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. English

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on wood panel

Dimensions Unframed: 13 1/4 × 9 1/2 inches (33.7 × 24.1 cm) Framed: 15 7/8 × 11 1/2 × 1 1/2 inches (40.3 × 29.2 × 3.8 cm)

Classification Paintings

Department European Painting

Credit Founders Society Purchase, Director's Discretionary Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 66.80

Markings

Signed Signed, lower right: [monogram]

Inscriptions ------

Provenance

by 1798, Daniel Daulby

August 27, 1798, sold by (T. Vernon, Liverpool, England) auction of the Late Daniel Daulby, lot 35

March 16, 1804, Thomas Norris sale (possibly London, England) no. 19 [for 10 1/12 guineas]

Pulteney Hotel (Bath, England)

(Nathan Chaikin, Paris, France)

1966, sold by (Sotheby's, New York, New York, USA)

1966-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Gaunt, W. The Great Century of British Painting. London, 1917, pl. 89.

Romantic Art in Britain: Painting and Drawings, 1760-1860. Exh. cat., Detroit Institute of Arts and Philadelphia Museum of Art. Detroit and Philadelphia, 1968, no. 57, p.109 (ill.).

Rosenblum, Robert. "A Century of British Painting." Art in America 56, no. 1 (1968): p. 89 (ill.).

John Hamilton Mortimer, A.R.A.: 1740-1779. Exh. cat., Towner Art Gallery and Iveagh Bequest. Eastbourne and Kenwood, 1968, p. 36, cat. 59 (ill.).

Arts Council Exhibition. Exh. cat., Hayward Gallery. London, 1973, no. 134, p. 79.

Cinco Siglos de Obras Maestras. Exh. cat., Museo fe Jade. San Jose, 1978, no. 26, p. 77 (ill.).

Johns, C.M.S. "Theater and Theory, Thomas Sully's George Frederick Cooke as Richard III." Winterthur Portfolio, a Journal of American Culture 18, no. 1 (Spring).

Sunderland, J. "John Hamilton Mortimer, His Life and Works." The Fifty-Second Volume of the Walpole Society (1986): p. 189, cat. no. 140.9b (fig. 256).

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

John Hamilton Mortimer, Bandit Taking up His Post, between 1773 and 1779, oil on wood panel. Detroit Institute of Arts, Founders Society Purchase, Director's Discretionary Fund, 66.80.