Berenice Reproaching Ptolemy

1802

Jean-Joseph Taillasson French, 1745-1809

On View

Era of Revolution, Level 3, South Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Berenice Reproaching Ptolemy

Artwork Date 1802

Artist Jean-Joseph Taillasson

Life Dates 1745-1809

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 61 1/2 × 76 5/8 inches (156.2 × 194.6 cm) Framed: 71 1/2 × 87 5/8 × 4 3/4 inches (181.6 × 222.6 × 12.1 cm)

Classification Paintings

Department European Painting

Credit Founders Society Purchase, Ralph Harman Booth Bequest Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 75.87

Markings

Signed Signed, lower left: Taillasson

Inscriptions ------

Provenance

1975, La Sirène, 60 rue Blanche (Paris, France)

1975, (Jacques Fischer, Paris, France)

1975-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

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Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Salon. Exh. cat. Paris, 1802, no. 270.

Explication des ouvrages de peinture, sculpture, architecture, gravure, et lithographie des artistes vivants exposés au Grand Palais des Champs-Élysées. Paris, 1802, p. 55, no. 270.

Landon, C.P. Annales du Musée et de l'école des beaux-arts. Paris, 1804, vol. 6, p. 43.

"Annual Report." Bulletin of the DIA 55, no. 1 (1976): pp. 12, 34 (fig. 24).

"Principales acquisitions des musées en 1977." La Chronique des arts et de la curiosité: supplement to Gazette des beaux-arts, no.1310 (March 1978): p. 50, no. 225 (ill.).

The Figure in 19th Century French Painting. Exh. cat., Flint Institute of Arts, Grand Rapids Art Museum, Midland Center for the Arts, and the Hackley Art Museum. Flint, Grand Rapids, Midland, and Muskegon, 1978, pp. 16-17, cat. 1 (ill.).

Bulletin of the DIA: Annual Report 62, no. 2 (1985): p. 39 (fig. 26).

La peinture à Bordeaux 1750-1800. Exh. cat., Musée des Beaux-Arts. Bordeaux, 1989, pp. 322-323, cat. 124, pl. 23.

Les Bérénices textes et figures. Exh. cat., Musée National des Granges de Port-Royal. Paris, 1992, pp. 52, 53 (fig. 45).

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Catalogue Raisoneé

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Credit Line for Reproduction

Jean-Joseph Taillasson, Berenice Reproaching Ptolemy, 1802, oil on canvas. Detroit Institute of Arts, Founders Society Purchase, Ralph Harman Booth Bequest Fund, 75.87.