Boussard the Photographer

1872-1874

Edgar Degas French, 1834-1917

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About the Artwork

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Markings

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Provenance

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Published References

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About the Artwork

Title Boussard the Photographer

Artwork Date 1872-1874

Artist Edgar Degas

Life Dates 1834-1917

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Watercolor and gouache on paper

Dimensions Sheet: 11 1/2 × 7 3/4 inches (29.2 × 19.7 cm) Framed: 19 × 15 × 1 3/4 inches (48.3 × 38.1 × 4.4 cm)

Classification Drawings

Department Prints, Drawings & Photographs

Credit Bequest of John S. Newberry

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 65.144

Markings

Signed Signed, in red ink, lower right: Degas

Inscriptions Inscribed, in black ink, lower right Bounnard photographe

Provenance

René de Gas, third sale, no. 366

Collection Lucien Guirand (Paris, France)

1927, Otto Wertheimer

1952-1965, John S. Newberry (Detroit, Michigan, USA)

1965-present, bequest to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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