A Boy

1629

Flemish

Not On View

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title A Boy

Artwork Date 1629

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Flemish

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 45 3/4 × 39 inches (116.2 × 99.1 cm) Framed: 57 1/8 × 49 3/4 × 4 5/8 inches (145.1 × 126.4 × 11.7 cm)

Classification Paintings

Department European Painting

Credit Gift of Mr. and Mrs. Bernard Walker in memory of Benjamin and Sophie Siegel

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 61.31

Markings

Inscriptions Inscribed, on base of chair at left: Aetatis 7 Inscribed, on rung of chair: A 1629

Provenance

August 30, 1928, (Galerie Hansen, A.G., Luzern, Switzerland), no. 413. collection of Mr. and Mrs. Benjamin Siegel (Detroit, Michigan, USA)

collection of Mr. and Mrs. Bernard Walker (Detroit, Michigan, USA)

1961-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Hairs, M. Dans le sillage de Rubens. Liege, 1977, pp. 3-4, 98.

Held, J. Flemish and German Paintings of the 17th Century: The Collections of The Detroit Institute of Arts. Detroit, 1982, pp. 50-51, (repr.).

Filipczak, Z., compiled. Hot Dry Men, Cold Wet Women: The Theory of Humors in Western European Art, 1575-1700. Exh. cat., American Federation of Arts. 1997-1998, pp. 144-5, cat. 50 (repr.).

Collars and Cuffs: The Politics of Fashion in European Portraiture 1630-1880. Exh. cat., Michigan Statewide Touring Exhibition. 2000-2001, with accompanying brochure, [exhibition traveled to Rochester Hills, Battle Creek, Midland, Traverse City, Port Huron, Saint Joseph].

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