Calligraphy from the Late Shah Jahan Album (recto)

calligraphy between 1505 and 1545, borders between 1650 and 1658

Mughal, Indian, Artist Mir 'Ali Haravi, Calligrapher

Not On View

Calligraphy from the Late Shah Jahan Album (recto)

Calligraphy from the Late Shah Jahan Album (recto): 1 of Collection Gallery

Calligraphy from the Late Shah Jahan Album (recto): 2 of Collection Gallery

Calligraphy from the Late Shah Jahan Album (recto): 3 of Collection Gallery

Calligraphy from the Late Shah Jahan Album (recto): 4 of Collection Gallery

Calligraphy from the Late Shah Jahan Album (recto): 5 of Collection Gallery

Calligraphy from the Late Shah Jahan Album (recto): 6 of Collection Gallery

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Calligraphy from the Late Shah Jahan Album (recto)

Artwork Date calligraphy between 1505 and 1545, borders between 1650 and 1658

Makers (Artist) Mughal, Indian Mir 'Ali Haravi (Calligrapher) Persian, active ca. 1505 - 1545

Medium Opaque watercolor, ink, and gold on paper

Dimensions Overall: 15 3/16 × 9 7/8 inches (38.6 × 25.1 cm) Image: 7 1/4 × 3 3/4 inches (18.4 × 9.5 cm)

Classification Paintings

Department Islamic Art

Credit Museum Purchase, Robert H. Tannahill Foundation Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 2019.98.A

Markings

Inscriptions Inscribed, in Nasta'liq, Text from the Orchard (Bustan) of Sa‘di (d. 1291), chapter IX; Concerning Repentance, followed by calligrapher signature: [translated by Shadi Shafiei: One day a singer filled my heart with angst / While playing their lute s/he sang these lines: / For years and years springtime will shine, / And roses will blossom-alas-without us. / Many summers, winters, and springs will pass, / While all we will be is just a fistful of dust. / Written by the sinful ‘Ali the scribe] [transliterated: Du baitam jigar kard rouzi kabâb / Ki miguft gouyandeh-i ba rubâb / Darighâ ki bi ma basi rouzegâr / Berouyad gul o beshkofad nobahâr. / Basi Tir o Day-mâh o Ordibehesht / Biyâyad ki mâ khâk bashim o khesht. / Katabahou al-muzannib ‘Ali al-Katib]

Provenance

between 1650-58, commissioned by Mughal emperor Shah Jahan

1739, assumed to be looted by Afsharid ruler Nadir Shah and taken to Iran. late 19th century, taken to Russia by brother of Qajar ruler Nasir al-Din Shah

late 19th century, sold to Armenian dealer (Russia). 1909, purchased by (Georges Demotte [1877-1923], Paris, France). Leila Diba Collection (New York, New York, USA). Sarikhani Collection (London, England). Al Thani Collection (London, England and Paris, France)

consigned to (Christie's, New York, New York, USA)

2019-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Hillenbrand, Robert, et. al. The Sarikhani Collection: An Introduction. London, 2011, p. 17 [portrait only].

The Palace Museum and the Al Thani Collection. Treasures from the Al Thani Collection. Beijing, 2018, cat. no. 177, pp. 462-465.

Maharajas & Mughal Magnificence. Sales cat., Christie's. New York, 2019, lot no. 76, pp. 106–107.

"Detroit Institute of Arts adds works to Native American collection, new works by women artists," Artdaily. Accessed on [November 4, 2021]. https://artdaily.cc/news/131545/Detroit-Institute-of-Arts-adds-works-to-Native-American-collection--new-works-by-women-artists#.YYQ0NWDMKUm.

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Catalogue Raisoneé

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Credit Line for Reproduction

Mir 'Ali Haravi; Mughal, Indian, Calligraphy from the Late Shah Jahan Album (recto), calligraphy between 1505 and 1545, borders between 1650 and 1658, opaque watercolor, ink, and gold on paper. Detroit Institute of Arts, Museum Purchase, Robert H. Tannahill Foundation Fund, 2019.98.A.