Celadon and Amelia

William Hamilton English, 1751-1801

On View

in

Era of Revolution, Level 3, South Wing

  • About the Artwork

    Please note: This section is empty

  • Markings

    Please note: This section is empty

    This section contains information about signatures, inscriptions and/or markings an object may have.

  • Provenance

    Please note: This section is empty

    Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

    For more information on provenance and its important function in the museum, please visit:

  • Exhibition History

    Please note: This section is empty

    The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

    We welcome your feedback for correction and/or improvement.

  • Published References

    Please note: This section is empty

    We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

  • Catalogue Raisonné

    Please note: This section is empty

    A catalogue raisonné is an annotated listing of artworks created by an artist across different media.

  • Credit Line for Reproduction

    Please note: This section is empty

    The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Hamilton chose an English nature poem, "The Seasons," as the subject of this romantic painting. In the section on Summer, the poem tells of the young lovers Celadon and Amelia, a perfect couple who were caught in a summer storm. Amelia was overcome by the powerful force of the tempest and died in the arms of her horrified and distraught lover.

Celadon and Amelia

1793

William Hamilton

1751-1801

English

Unknown

Oil on canvas

Unframed: 60 5/8 × 48 7/8 inches (154 × 124.1 cm) Framed: 69 1/8 × 57 × 2 3/4 inches (175.6 × 144.8 × 7 cm)

Paintings

European Painting

Founders Society Purchase

68.159

This work is in the public domain.

Markings

Signed and dated, lower right: Wm Hamilton R.A. | 1793

------

Provenance

Count de Aulby (England)

Wilbur Foshay (England)

(Brown and Bigelow)

by 1965, Robert Edward Peters (New York, New York, USA)

1968, (Max Schweitzer, New York, New York, USA)

1968-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

English Revivalism: 1750-1870, The Aesthetic of Nostalgia. Exh. cat., University of Michigan Musuem of Art. Ann Arbor, 1968, p. 7.

Fiftieth Anniversary Exhibition, 1915–1965. Exh. cat., Minneapolis Institute of Arts. Minneapolis, 1965, unpaginated (ill.). [as The Rescue.]

Cummings, Frederick J., ed. Selected Works from the Detroit Institute of Arts. Detroit, 1979, p. 85, no. 55 (ill.).

Love Everlasting: The Art of Romance Through the Millennia. Exh. cat., Flint Institute of Arts. Flint, 2000, pp. 74-75, cat. 32 (ill.).

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

William Hamilton, Celadon and Amelia, 1793, oil on canvas. Detroit Institute of Arts, Founders Society Purchase, 68.159.

Celadon and Amelia
Celadon and Amelia