Ceremonial Textile

between 300 and 700

Nazca Huari, Precolumbian

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Ceremonial Textile

Artwork Date between 300 and 700

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Precolumbian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Nazca huari

Medium Alpaca yarns

Dimensions Overall: 44 3/4 × 110 3/4 inches (113.7 × 281.3 cm) Mount (mounted): 48 1/2 × 118 1/2 × 1 7/8 inches (123.2 × 301 × 4.8 cm)

Classification Textiles

Department Indigenous Americas

Credit Gift of Mr. and Mrs. Lee Hills

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 77.78

Markings

Inscriptions ------

Provenance

(by 1971, J. L. Hudson Gallery, dealer, Detroit, Michigan, USA). Mr. and Mrs. Lee Hills

1977-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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