Chalice

between 1480 and 1510

German

On View

European: Medieval, Level 2, Central Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Title Chalice

Artwork Date between 1480 and 1510

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. German

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. German

Medium Silver, gold

Dimensions Overall: 7 1/2 × 5 3/8 inches (19.1 × 13.7 cm)

Classification Silver

Department European Sculpture and Dec Arts

Credit Gift of Virginia Booth Vogel

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 49.458

Markings

Inscriptions Inscribed, on lozenges on knop: I H E S U S

Marks Hallmark, on the foot: [a stylized cathedral facade]

Provenance

R. Forrer (Strasbourg, France)

Louis Marx (Frankfurt, Germany). Virginia Booth Vogel

1949-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Eucharistic Vessels of the Middle Ages. Exh. cat., Busch-Reisinger Museum. Cambridge, MA, 1975, pp. 45-46 (fig. 3), p. 119 (ill.).

Rosenberg, Marc. Der Goldschmiede Merkzeichen. Frankfurt-am-Main, 1925, vol. III, p. 314 (fig. 4561).

Sherman, F.F. "German Renaissance Silver in the Ralph H. Booth Collection." Art in America 12 no. 5 (August 1924): p. 202; (fig. 4).

Fritz, J.M. Goldschmiedekunst der Gotik in Mitteleuropa. Munich, 1982, pp. 337, 304.

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Catalogue Raisoneé

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Credit Line for Reproduction

German, Chalice, between 1480 and 1510, silver, gold. Detroit Institute of Arts, Gift of Virginia Booth Vogel, 49.458.

No Available Image

Bodice

German

18th century

No Available Image

Infant Costume, Cap

German

18th century

No Available Image

Woman's Cap

German

18th century

No Available Image

Infant's Costume

German

18th century

No Available Image

Scarf

Multiple makers

middle 19th century

No Available Image

Kasperle

German

1900/1950

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German

between 1900 and 1950

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Galassi Workshop

early or mid-20th century

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Laurent Amiot

between 1828 and 1837

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Italian

ca. 1770

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1787

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American

possibly between ca. 1830 and 1850

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German

19th century

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Charles Robert Ashbee

between 1901 and 1902

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Chalice

About the Artwork

Markings

Provenance

Exhibition History

Published References

Catalogue Raisoneé

Credit Line for Reproduction

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