Christ and the Woman Taken in Adultery

1842

Émile Signol French, 1804-1892

On View

Era of Revolution, Level 3, South Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Christ and the Woman Taken in Adultery

Artwork Date 1842

Artist Émile Signol

Life Dates 1804-1892

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 55 1/2 × 45 inches (141 × 114.3 cm) Framed: 67 1/2 × 57 × 4 1/2 inches (171.5 × 144.8 × 11.4 cm)

Classification Paintings

Department European Painting

Credit Founders Society Purchase, Acquisitions Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 79.6

Markings

Signed Signed, lower right: EM. SIGNOL

Inscriptions ------

Provenance

the artist, Emile Signol (Paris, France)

1972, M. J. Morineau (Versailles, France)

1978, (Heim Gallery, London, England)

1979-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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Published References

Salon. Exh. cat. Paris, 1842, no. 1717.

Exposition Universelle. Exh. cat., Paris, 1855, p. 431, no. 4002.

Forgotten French Art from the First to the Second Empire. Sales cat., Heim Gallery. New London, 1978, cat. 21 (ill.).

The Art of the July Monarchy: France 1830 to 1848. Exh. cat., Museum of Art and Archeology, Memorial Art Gallery, and Santa Barbara Museum of Art. Columbia, Rochester, and Santa Barbara, 1989, p. 295, cat. 163 (ill.).

Bergman-Carton, Janis. The Woman of Ideas in French Art, 1830-1848. New Haven and London, 1995, pp. 141-142 (fig. 73).

Sanchez, P. and X. Seydoux. Les Catalogues des Salons, vol. 4, (1841-1845). Paris, 2000, p. 120, no. 1717.

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Catalogue Raisoneé

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Credit Line for Reproduction

Émile Signol, Christ and the Woman Taken in Adultery, 1842, oil on canvas. Detroit Institute of Arts, Founders Society Purchase, Acquisitions Fund, 79.6.