Coastal Scene with a Man-of-War and other Vessels

1692

Ludolf Backhuysen Dutch, 1630-1708

Not On View

Coastal Scene with a Man-of-War and other Vessels

Coastal Scene with a Man-of-War and other Vessels: 1 of Collection Gallery

Coastal Scene with a Man-of-War and other Vessels: 2 of Collection Gallery

Coastal Scene with a Man-of-War and other Vessels: 3 of Collection Gallery

Coastal Scene with a Man-of-War and other Vessels: 4 of Collection Gallery

Coastal Scene with a Man-of-War and other Vessels: 5 of Collection Gallery

Image Only Image + Details All Images High Resolution TIFF Metadata

About the Artwork

Please note: This section is empty
Markings

Please note: This section is empty

This section contains information about signatures, inscriptions and/or markings an object may have.
Provenance

Please note: This section is empty

Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:
Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.
Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.
Catalogue Raisonné

Please note: This section is empty

A catalogue raisonné is an annotated listing of artworks created by an artist across different media.
Credit Line for Reproduction

Please note: This section is empty

The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Title Coastal Scene with a Man-of-War and other Vessels

Artwork Date 1692

Artist Ludolf Backhuysen

Life Dates 1630-1708

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Dutch

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Overall (stretcher): 33 7/8 × 43 7/8 inches (86 × 111.4 cm) Image: 33 5/8 × 43 1/2 inches (85.4 × 110.5 cm)

Classification Paintings

Department European Painting

Credit Museum Purchase, Robert H. Tannahill Fund, General Museum Funds, New Endowment Fund, Mr. & Mrs. Benson Ford Fund, Henry Ford II Fund, Mr. & Mrs. Walter B. Ford II Fund, Josephine and Ernest Kanzler Foundation Fund, J. Lawrence Buell Fund, K.T. Keller Fund, Macauley Fund, Laura H. Murphy Fund, Barbara L. Scripps Fund, Mr. & Mrs. Allan Shelden III Fund, Henry E. & Consuelo Wenger Fund, Matilda R. Wilson Fund, Mr. & Mrs. Horace E. Dodge Memorial Fund; gifts of James E. Scripps, John L. Booth and Mrs. Virginia Booth Vogel, Mr. & Mrs. Edgar B. Whitcomb, Dr. Wilhelm R. Valentiner, Edsel B. Ford Fund, Earhart Foundation, Mr. & Mrs. Lee Hills, Estate of Bela Hubbard, Kleinberger Galleries, Anthony F. Reyre, Mrs. Joseph B. Schlotman, E. and A. Silberman, Mr. & Mrs. Edgar B. Whitcomb and Mr. & Mrs. Lawrence P. Fisher by exchange

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 2002.134

Markings

Signed Signed, on beam in center foreground: L. Backhuizen Ft.

Inscriptions Inscribed, at lower right of the gentleman's feet: 1692

Provenance

Jean-François Boursault, called Boursault-Malherbe [1752-1842] (Paris, France)

May 7, 1832, sold by (Paillet & C. P. Coutellier, Paris, France) [unsold]. possibly 1832, purchased by Henry Artaria

1832-1835, acquired by Edmund Higginson (Saltmarche, Herefordshire, England)

June 4, 1864, sold by (Christie's, London, England) auction Higginson, lot 149

June 4, 1846, (Rutley, London, England)

Humphrey St. John-Mildmay [d. 1853] (London, England)

by descent to his eldest son, Humphrey Francis St. John-Mildmay [d. 1866] (London, England)

by inheritance to his brother, Henry Bingham-Mildmay [d. 1905] (London, England)

June 24, 1893, sold by (Christie's, London, England) auction Henry Bingham-Mildmay, lot 4

June 24, 1893 (Agnews, London, England)

Walter de Zoete (Colchester, England and North Berwick, Scotland)

April 5, 1932, sold by (Christie's, London, England) auction Walter de Zoete, lot 42

April 5, 1935, (A. Staal, Amsterdam, Netherlands)

Alfred Cohen (Amsterdam, Netherlands)

confiscated by the German National Socialist (Nazi) government

October 15, 1999, sold by (Arno Winterberg, Heidelberg, Germany) lot 695 [as in the manner of Ludolf Backhuysen [copy?])

1999, purchased by (Trafalgar Galleries, London, England)

2001, restituted to Cohen family [through the Art Loss Register]

2002-purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Smith, J. Supplement to the Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish and French Painters. London, 1842, p. 783, no. 26.

Waagen, G. Galleries and Cabinets of Art in Great Britain. London, 1857, p. 157.

Hofstede de Groot, C. Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII Jahrhunderts. Stuttgart and Paris, vol. 7, 19.

Hofstede de Groot, C. A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 7. London, 1923, p. 302, no. 404.

Trafalgar Galleries at Maastricht 2000." Exh. cat., Trafalgar Galleries, 2000, pp. 6-9 (ill.).

Bulletin of the DIA: Annual Report 77, no. 3/4 (2003): title page (ill.), pp. 6, 22.

Keyes, George S. et al. Masters of Dutch Painting: The Detroit Institute of Arts. London, 2004, pp. 4–5, 18–19, no. 3 (ill.).

Keyes, G.S. "A Brief History of the European Paintings Collection at the Detroit Institute of Arts with a Focus on the Dutch School." in the catalogue for The European Fine Art Fair (TEFAF). Maastricht, 2005, pp. 10-15.

You, Yao-Fen. “From Novelty to Necessity: The Europeanization of Coffee, Tea, and Chocolate.” In Coffee, Tea, and Chocolate: Consuming the World, ed. Yao-Fen You, Mimi Hellman, and Hope Saska. Exh. cat., Detroit Institute of Arts. Detroit, 2016, p. 18; 22 (ill.); 126, cat. 1.

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

Ludolf Backhuysen, Coastal Scene with a Man-of-War and other Vessels, 1692, oil on canvas. Detroit Institute of Arts, Museum Purchase, Robert H. Tannahill Fund, General Museum Funds, et al., 2002.134.