Combination Writing, Working, and Dining Table

ca. 1785

Adam Weisweiler French, 1750-1810

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About the Artwork

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Markings

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About the Artwork

Title Combination Writing, Working, and Dining Table

Artwork Date ca. 1785

Artist Adam Weisweiler

Life Dates 1750-1810

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Mahogany, white marble, and ormolu

Dimensions Overall (71.172.A): 29 1/2 × 26 1/8 inches (74.9 × 66.4 cm) Overall (71.172.B): 1 1/16 × 5 1/16 × 1/2 inches (2.7 × 12.8 × 1.2 cm) Overall (71.172.C): 1 1/16 × 5 1/16 × 1/4 inches (2.7 × 12.8 × 0.7 cm) Overall (71.172.D): 1 1/16 × 5 1/16 × 7/16 inches (2.7 × 12.8 × 1.1 cm) Overall (71.172.E): 1 1/16 × 5 1/16 × 7/16 inches (2.7 × 12.8 × 1.1 cm)

Classification Furniture

Department European Sculpture and Dec Arts

Credit Bequest of Mrs. Horace E. Dodge in memory of her husband

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 71.172

Markings

Signed Signed, on the underside of the drawer-case near the right leg: A. WEISWEILER. Signed, on underside of each drawer: A+WEISWEILER+/

Inscriptions Inscribed, on a blue-bordered paper label, affixed near the signature, probably dating from the 19th century, in ink: S8 Inscribed, on a small, serrated, rectangular 20th century label, on the bottom of the writing drawer: 33.

Provenance

(Grazia, Paris, France)

1932-1971, acquired through (L. Alavoine, New York, New York, USA) by Anna Thomson Dodge [1866-1970] (Grosse Pointe, Michigan, USA)

1971-present, bequest to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Winokur, Ronald L. "The Mr. and Mrs. Horace E. Dodge Memorial Collection." Bulletin of the DIA 50, no. 3 (1971): pp. 43-51.

"La chronique des arts." Gazette des Beaux-Arts 79 (January 1972): supplement, p. 92, (fig. 319).

Lemmonier, Patricia. Weisweiler. Paris 1983, pp. 92, 96, 186, no. 174.

Dell, T., et al. The Dodge Collection of Eighteenth Century French and English Art at the Detroit Institute of Arts. New York and Detroit, 1996, no. 12, pp. 68-71, (ill.) p. 70.

You, Yao-Fen. “From Novelty to Necessity: The Europeanization of Coffee, Tea, and Chocolate.” In Coffee, Tea, and Chocolate: Consuming the World, ed. Yao-Fen You, Mimi Hellman, and Hope Saska. Exh. cat., Detroit Institute of Arts. Detroit, 2016, p. 33; 51 (ill.); 135, cat. 47.

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Catalogue Raisoneé

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Credit Line for Reproduction

Adam Weisweiler, Combination Writing, Working, and Dining Table, ca. 1785, mahogany, white marble, and ormolu. Detroit Institute of Arts, Bequest of Mrs. Horace E. Dodge in memory of her husband, 71.172.