Crucifixion

ca. 1500

Nicolas Dipre French, active, 1495 - 1532

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Provenance

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Exhibition History

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Published References

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About the Artwork

Title Crucifixion

Artwork Date ca. 1500

Artist Nicolas Dipre

Life Dates active

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Paint on wood panel

Dimensions Unframed: 11 1/2 × 17 7/16 inches (29.2 × 44.3 cm)

Classification Paintings

Department European Painting

Credit Founders Society Purchase, General Membership Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 50.57

Markings

Inscriptions ------

Provenance

until 1910, collection of Marchese Durazzo (Genoa, Italy). collection of Breschi (Rome, Italy). by 1950, (Vitale Bloch, Amsterdam, Netherlands)

1950-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Sterling, C. La Peinture française: les peintres du Moyen Age. ca.1941, p. 27, cited under cat. 49 [a pendant to the Marriage of the Virgin "dans une collection particuliè en Italie"].

Sterling, C. "Two XV Century Provençal Painters Revived, I: Nicolas Dipre," Gazette des Beaux-Arts, series 6, vol. 22 (October 1942): p. 16 [as "pendant...in a private collection in Italy"; article pp. 9-16].

Grigaut, P. L. "A Crucifixion from Provence." Bulletin of the DIA 29, no. 4 (1949): pp. 90-93 (ill.).

Ring, G. A Century of French Painting,1400-1500. London, 1949, no. 270, pl. 142.

Catalogue of Paintings, vol. 1. cat., Frick Collection. New York, 1949, p. 226.

Cummings, Frederick J., ed. Selected Works from the Detroit Institute of Arts. Detroit, 1979, p. 101, no. 72 (ill.).

Rosenberg, P. and M.C. Stewart. French Paintings, 1500-1825: The Fine Arts Museums of San Francisco. San Francisco, 1987, pp. 22-3, (repr.) (fig. 6).

Thiébaut, D. "Nicolas Dipre," Nouvelles Acquisitions du Departement des Peintures (1983-1986). Exh. cat. Paris, 1987, p. 106 (ill. as comparative material).

Thiébaut, D."Nicolas Dipre: deux nouveaux éléments de prédelle au Louvre," La Revue du Louvre, no. 4 (1989): p. 221, p. 224, note 30, (ill.) p. 220, (fig. 13) [article pp. 215-224].

Primatifs français, Découvertes et redécouvertes. Exh. cat., Louvre. Paris, February-May 2004, pp. 156, 157, footnote 20, 160, 177 [b/w photo installed in the exhibition].

Elsig, F. La Peinture en France au XVe siècle. Galerie des Arts. Milan, 2004, pl. 54.

Borchert, Till-Holger. The Age of Van Eyck: The Mediterranean World and Early Netherlandish Painting 1430-1530. Exh. cat., Stedelijke Musea. Bruges, 2002, pp. 36-37 (ill.); p. 250, no. 69 (7) (ill.).

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