Crying Forfeits

ca. 1770

Joshua Reynolds English, 1723-1792

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Provenance

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About the Artwork

Title Crying Forfeits

Artwork Date ca. 1770

Artist Joshua Reynolds

Life Dates 1723-1792

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. English

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 50 1/4 × 40 1/4 inches (127.6 × 102.2 cm) Framed: 60 7/8 × 50 5/8 × 4 1/2 inches (154.6 × 128.6 × 11.4 cm)

Classification Paintings

Department European Painting

Credit Bequest of Mr. and Mrs. Lawrence P. Fisher

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 68.334

Markings

Inscriptions ------

Provenance

the artist, Joshua Reynolds

purchased by George Montagu-Dunk, 2nd Earl of Halifax (England). May 30, 1829, auction of Yatman collection by (Christie's, London, England), lot 132 [bought-in]. collection of Richard Archdall (County Fermanagh, Ireland)

by descent, Dr. George Archdall [Gratwicke] (Emanuel College, Cambridge, England)

1872, by descent to his adopted nephew, Rev. R.V.C. Kinleside. June 24, 1893, auction of H. Bingham Mildmay by (Christie's, possibly London, England), lot 61

June 24, 1893, purchased by Lord Manners (Cold Overton, Oakham, England). November 23-24, 1927, sale (Carter Banks and Bennett, Turnbridge Wells, England), lot 638. (Howard Young Gallery, New York, New York, USA)

Mr. and Mrs. Lawrence P. Fisher (Detroit, Michigan, USA)

1968-present, bequest to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Graves, A. & W.V. Cronin. A History of the Works of Sir Joshua Reynolds, vol. II. 1899, p. 657 [as portrait of the Ladies Anne, Frances and Elizabeth Montagu].

Heil, W. "The Lawrence P. Fisher Collection," Antiquarian, vol. 15 (December 1930): p. 49, (repr.).

Exhibition of English Art of the 18th and 19th Centuries. Exh. cat., DIA [at Alger House]. Detroit, November 6-18, 1938 [no published catalogue--hand typed ms.--lent by Lawrence P. Fisher].

McCall, George Henry. Catalogue of European Painting and Sculpture from 1300-1800. Exh. cat., New York World's Fair. New York, 1939, cat. 314.

Mannings, David, Sir Joshua Reynolds. A Complete Catalogue of His Paintings, 2 vols. Yale Univ. Press, 2000, vol. I [text], no. 2048, pp. 520-521; vol. II [plates], p. 590, (fig. 1604).

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