Cup Stand

between 1127 and 1279

Chinese

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Cup Stand

Artwork Date between 1127 and 1279

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Chinese

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Chinese

Medium Wood with brown-black lacquer

Dimensions Overall: 3 3/4 × 6 1/4 inches (9.5 × 15.9 cm)

Classification Lacquer

Department Asian Art

Credit Founders Society Purchase, Acquisitions Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 79.150

Markings

Inscriptions Inscribed with red lacquer, high stem: [character]

Provenance

1979-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

High Tea: Glorious Manifestations East and West. Exh. cat., Norton Museum of Art. West Palm Beach, FL, 2014, p. 132.

Pitelka, Morgan. “Warriors, Tea, and Art in Premodern Japan.” Bulletin of the DIA 88, no. 1/4 (2014): pp. 22-23, 30-31 (fig. 6).

You, Yao-Fen. “From Novelty to Necessity: The Europeanization of Coffee, Tea, and Chocolate.” In Coffee, Tea, and Chocolate: Consuming the World, ed. Yao-Fen You, Mimi Hellman, and Hope Saska. Exh. cat., Detroit Institute of Arts. Detroit, 2016, p. 42; 54 (ill.); 127, cat. 53.

Kwok, Zoe S. The Eternal Feast: Banqueting in Chinese Art from the 10th to the 14th Century. Exh. cat., Princeton University Art Museum. New Haven, 2019, p. 168-169 (cat. 39) (ill.).

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Catalogue Raisoneé

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Credit Line for Reproduction

Chinese, Cup Stand, between 1127 and 1279, wood with brown-black lacquer. Detroit Institute of Arts, Founders Society Purchase, Acquisitions Fund, 79.150.