Desert Clouds

1976

Brett Weston American, 1911-1993

Not On View

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About the Artwork

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Markings

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Provenance

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About the Artwork

Title Desert Clouds

Artwork Date 1976

Artist Brett Weston

Life Dates 1911-1993

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Gelatin silver print

Dimensions Image: 10 5/8 × 13 5/8 inches (27 × 34.6 cm) Mount: 15 × 18 inches (38.1 × 45.7 cm)

Classification Photographs

Department Prints, Drawings & Photographs

Credit Gift of Warren and Margot Coville

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1999.124.5

Markings

Signed Signed and dated, on mount, in pencil, lower left corner: Brett Weston 1976

Inscriptions Inscribed, in pencil, upper center, verso: Desert Clouds, 1976 Inscribed, in pencil, lower right, verso: WJC 740

Provenance

1999, Warren and Margot Coville (Bloomfield Hills, Michigan, USA)

1999-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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