Driver

Philip Guston American, 1913 - 1980
Not On View
  • About the Artwork

    Please note: This section is empty

  • Markings

    Please note: This section is empty

    This section contains information about signatures, inscriptions and/or markings an object may have.

  • Provenance

    Please note: This section is empty

    Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

    For more information on provenance and its important function in the museum, please visit:

  • Exhibition History

    Please note: This section is empty

    The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

    We welcome your feedback for correction and/or improvement.

  • Published References

    Please note: This section is empty

    We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

  • Catalogue Raisonné

    Please note: This section is empty

    A catalogue raisonné is an annotated listing of artworks created by an artist across different media.

  • Credit Line for Reproduction

    Please note: This section is empty

    The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Born Philip Goldstein in Montreal, Guston (who changed his name in 1935) moved with his family to Los Angeles in 1919. After his father's suicide, he took refuge in drawing, creating a world that was distant from the burdens of family life. From the 1930s to the 1950s, Guston excelled in a succession of painting styles including social realism, surrealism, and abstract expressionism. Although his abstract expressionist canvases were very well received, he became disaffected with the idea that painting should be "autonomous, pure, and for itself." He wanted to make work that reflected the living, changing world. In 1967 he returned to figuration, delving into the rich life around him using a palette customarily limited to reds, pinks, grays, and turquoise. In Driver he presents the subject from an unexpected perspective, paring away extraneous detail to distill its essence. From Bulletin of the Detroit Institute of Arts 89 (2015)

Driver

1975

Philip Guston

1913 - 1980

American

Unknown

Oil on canvas

Unframed: 63 1/4 × 67 1/4 inches (160.7 × 170.8 cm) Framed: 72 1/2 × 76 1/2 inches (184.2 × 194.3 cm)

Paintings

Contemporary Art after 1950

Bequest of James Pearson Duffy

2010.106

Courtesy of the Estate of Philip Guston

Markings

Signed, verso, upper left: PHILIP GUSTON Signed in red, lower right: Philip Guston

Inscribed, titled, dated, verso, upper left: PHILIP GUSTON | "DRIVER" 1975 | OIL- 63 1/4" X 67 1/4 "

White sticker, verso, left midline horizontal stretcher bar: DAVID MCKEE INC. | 140 East 63 STREET NEW YORK, N.Y. 10023 | Philip GUSTON | Driver 1975 | oil on canvas | 63 1/4 X 67 1/4 inches | C527 Yellow sticker, verso, left midline horizontal stretcher bar: OLLENDORFF FINE ARTS | FINE ART PACKERS AND SUPPLIERS | NEW YORK AND SAN FRANSCISCO | 4918 1 White sticker, verso, right midline horizontal stretcher bar: steven sloman G431 | fine arts photography

Provenance

The artist

(1976, David McKee Gallery, New York, New York, USA)

April 22, 1976, purchase by James Pearson Duffy

2010-present, bequest to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Rosenthal, Mark. "Jim Duffy’s Hybrid Aesthetic." Bulletin of the DIA 85, no. 1/4 (2011): cover, 4, 9, fig. 1 (color ill.).

Bulletin of the DIA 89, no. 1/4 (2015): 65 (ill.).

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

Philip Guston, Driver, 1975, oil on canvas. Detroit Institute of Arts, Bequest of James Pearson Duffy, 2010.106.

Driver
Driver