Ecce Homo

early 16th century

Master of Saint Sang Netherlandish, active early 16th century

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Ecce Homo

Artwork Date early 16th century

Artist Master of Saint Sang

Life Dates active early 16th century

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Netherlandish

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on oak panel

Dimensions Unframed: 28 × 22 inches (71.1 × 55.9 cm) Framed: 34 × 28 3/16 × 2 1/2 inches (86.4 × 71.6 × 6.4 cm)

Classification Paintings

Department European Painting

Credit Founders Society Purchase, Robert H. Tannahill Foundation Fund, Mr. and Mrs. Horace E. Dodge Memorial Fund, Ralph Harman Booth Bequest Fund, European Painting General Fund, Joseph M. de Grimme Memorial Fund, and New Endowment Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1989.33

Markings

Inscriptions ------

Provenance

1913, art market (Paris, France)

May 15-17, 1950, auctioned (by? to?) Emile Artus at (Galerie Charpentier, France)

Collection of Dr. Ricardo de Espirito Santo Silva (Lisbon, Protugal)

1989, (Otto Naumann, New York, USA)

1989, (Valery Taylor, New York, USA)

1989-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Friedländer, Max J. Die Altniederländische Malerei, vol. IX. Leiden, 1934, p. 153, no. 199.

Reis-Santos, L. Obras-Primas de Pintura Flamenga dos Seculos XV e XVI em Portugal. Lisbon, 1953, pp. 87-88, no. 49, pl. XXIX (as Metsys).

Bordeaux, France. "Flandres, Espagne, Portugal du jXve au XVIIe siècle." 1954, p. 68, cat. 56 (as Quentin Metsys).

Friedländer, M. J. Early Netherlandish Painting, vol. IXb. Leiden-Brussels, 1973 (comments and notes by H Pauwels) p. 119, no. 199, p. 134, note 77, pl. 200.

New York, Colnaghi & the Alexander Gallery. "The Northern Renaissance; 15th and 16th Century Netherlandish Paintings." 1983, pp. 10-11, cat. no. 4. repr.

BULLETIN OF THE DIA 65, no. 2/3, 1989, p. 16, fig. 11.

New York, Otto Naumann, Ltd. INAUGURAL EXHIBITION OF OLD MASTER PAINTINGS 1995, 1 cat. part II "Paintings sold in the past," unpaginated [sold 1989], (repr.)

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Catalogue Raisoneé

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Credit Line for Reproduction

Master of Saint Sang, Ecce Homo, early 16th century, oil on oak panel. Detroit Institute of Arts, Founders Society Purchase, Robert H. Tannahill Foundation Fund, Mr. and Mrs. Horace E. Dodge Memorial Fund, et al., 1989.33.