The Fisherman's Wedding Party

Thomas Moran American, 1837-1926
Not On View
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About the Artwork

In the late nineteenth century, many American artists were drawn to Venice with its dazzling light and exotic and colorful appearance. Fisherman’s Wedding Party is the culmination of Moran’s ability to capture the luminous city. While using a light, cool palette to render the atmosphere of the lagoon, the artist focuses on the colorful fishing boats that were one of the marvels of the city. Moran was so impressed by Venice that he shipped an ornate gondola back to his home in East Hampton, Long Island. He employed a Mohawk Indian, George Fowler, to pole the gondola around the grounds as a popular diversion for family and guests.

The Fisherman's Wedding Party

1892

Thomas Moran

1837-1926

American

Unknown

Oil on canvas

Unframed: 24 × 33 inches (61 × 83.8 cm) Framed: 36 1/4 × 45 3/16 × 5 inches (92.1 × 114.8 × 12.7 cm)

Paintings

American Art before 1950

Bequest of Alfred J. Fisher

67.118

Copyright not assessed, please contact [email protected].

Markings

Signed and dated, lower right: TMoran | 1892

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Provenance

ca. 1927-1928, Howard Young Gallery (New York, New York, USA). Alfred J. Fisher. 1967-present, bequest to the Detroit Institute of Arts (Detroit, Michigan, USA)

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Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Bulletin of the DIA 55, 18 (1977): pp. 101-102 (ill.).

Lovell, M.M. Venice: The American View 1860-1920. Exh. cat., The Fine Arts Museums of San Francisco. San Francisco, 1984, p. 68, no. 26.

Antiques (April 1985): pp. 862-863 (ill.).

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Catalogue Raisoneé

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Credit Line for Reproduction

Thomas Moran, The Fisherman's Wedding Party, 1892, oil on canvas. Detroit Institute of Arts, Bequest of Alfred J. Fisher, 67.118.

The Fisherman's Wedding Party
The Fisherman's Wedding Party