Fragment of a plaque from a reliquary chasse: The Crucifixion

between 1175 and 1200

French

Not On View

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Fragment of a plaque from a reliquary chasse: The Crucifixion

Artwork Date between 1175 and 1200

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. French

Medium Champlevé enamel on copper with traces of gilt

Dimensions Overall: 4 3/8 × 2 3/4 × 7/16 inches (11.1 × 7 × 1.1 cm)

Classification Enamel

Department European Sculpture and Dec Arts

Credit Gift of Robert H. Tannahill

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 49.437

Markings

Inscriptions ------

Marks Marked, on back, incised, 1 1/8 in. high, probably an assembly mark: [cross]

Provenance

possibly Gilbert collection

(Henri Leman, Hotel Drouot, Paris, France)

purchased by Robert H. Tannahill [1893-1969] (Grosse Pointe Farms, Michigan, USA), former loan in 1931

1944-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Gauthier, M.-M. "Une chasse limousine du dernier quart du XIIe siecle; themes iconographiques, composition et essai de chronologie," Melanges Offerts a Rene Crozet. P. Gallais and Y.-J. Riou, eds, Poitiers, 1966, vol. 2, p. 950.

Barnet, Peter. "Medieval Limoges Enamels in the Detroit Institute of Arts," Bulletin of the DIA 63, nos. 3/4 (1988): pp. 16-25, (figs. 3 and 4 (reverse)).

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Catalogue Raisoneé

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Credit Line for Reproduction

French, Fragment of a plaque from a reliquary chasse: The Crucifixion, between 1175 and 1200, champlevé enamel on copper with traces of gilt. Detroit Institute of Arts, Gift of Robert H. Tannahill, 49.437.