Garuda

ca. 1150

Khmer, Cambodian

On View

Buddhist Art, Level 1, North Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Catalogue Raisonné

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About the Artwork

Title Garuda

Artwork Date ca. 1150

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Cambodian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Khmer

Medium Copper alloy

Dimensions Overall: 9 7/8 × 7 7/8 × 5 3/4 inches (25.1 × 20 × 14.6 cm) Installed: 10 7/8 × 8 1/8 × 8 inches (27.6 × 20.6 × 20.3 cm)

Classification Sculpture

Department Asian Art

Credit Founders Society Purchase with funds from Albert Kahn

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 43.419

Markings

Inscriptions ------

Provenance

George Coedes [1886-1969]. (Charles Ratton [1895-1956], Paris, France)

(purchased by Pierre Matisse Gallery, New York, New York, USA)

1943-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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