Gemellion

between 1250 and 1300

French

On View

European: Medieval, Level 2, Central Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Title Gemellion

Artwork Date between 1250 and 1300

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. French

Medium Copper with champlevé enamel

Dimensions Overall: 8 7/8 inches (22.5 cm)

Classification Enamel

Department European Sculpture and Dec Arts

Credit Founders Society Purchase, General Membership Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 42.102

Markings

Inscriptions ------

Provenance

(Arnold Seligmann, Rey and Co., New York, New York, USA)

1942-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Robinson, F.W. "A Limoges Enamelled Gemellion." Bulletin of the DIA 22 (1943): pp. 26-28.

Buchthal, H. "A Note on Islamic Enameled Metalwork and its Influence in the Latin West." Ars Islamica XI-XII (1946): pp. 195-198.

Lesley, Jr., E.P. Enamel: An Historic Survey to the Present Day. Exh. cat., Cooper Union Museum. New York, 1954, no. 34

The Meeting of Two Worlds: The Crusades and the Mediterranean Context. Exh cat., University of Michigan Museum of Art. Ann Arbor, 1981, no. 35.

Champeaux-Dufeutrelle, S. Les gemellions imousins du XIIIe siècle à scènes de musique et de danse. Master's thesis, University of Paris, 1980, cat. no. 20.

Buchthal, Hugo. Art of the Meditteranean World: A.D. 100- 1400. Washington, D.C., 1983, pp. 32-35 with post-script.

Barnet, P. "Medieval Limoges Enamels in the Detroit Institute of Arts." Bulletin of the DIA 63, nos. 3/4 (1988): p. 22; 25; p. 21, fig. 10 (ill.); p. 22, fig. 11 (ill.).

Rey-Delque, ed., M. Le crociate: L'oriente e l'occidente da Urbano II a San Luigi 1096-1270. Exh. cat. Milan and Rome, 1997, p. 349 (ill.); 399, no. 186.

Rey-Delque, ed., M. Les croisades: L'orient et loccident d'Urbain II à San Louis 1096-1270. Exh. cat. Milan and Toulouse, 1997, p. 349 (ill.); 409, no. 186.

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Catalogue Raisoneé

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Credit Line for Reproduction

French, Gemellion, between 1250 and 1300, copper with champlevé enamel. Detroit Institute of Arts, Founders Society Purchase, General Membership Fund, 42.102.