The Good Shepherd

19th century

Thomas Cole, Artist Sarony & Major, Printer John P. Ridner, Publisher

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About the Artwork

Title The Good Shepherd

Artwork Date 19th century

Makers Thomas Cole (Artist) American, 1801-1848 Sarony & Major (Printer) American John P. Ridner (Publisher) American

Medium Lithograph printed in black with a beige tint stone on wove off-white paper

Dimensions Sheet: 16 1/4 x 22 1/8 in. (41.2 x 56.1 cm) image: 11 1/2 x 16 5/8 in. (29.1 x 42.2 cm)

Classification Prints

Department Prints, Drawings & Photographs

Credit Founders Society Purchase, Miscellaneous Gifts Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. F72.283.10

Markings

Inscriptions On stone, lower left: DRAWN ON STONE BY THE LATE THOMAS COLE.; lower center: Entered according to Act of Congress in the year 1849 by John P. Ridner in the Clerks Office of the District Court of the Southern District of New York.; lower right: PRINTED IN TINT BY SARONY & MAJOR.; center bottom margin: "The Good Shepherd." / To the Artists of America this print is respectfully dedicated by / Maria Cole / Published by John P. Ridner 497 Broadway New York.

Provenance

Kennedy Gallery and Edith Cole Silberstein

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

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We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

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Catalogue Raisoneé

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The Good Shepherd

Not On View

About the Artwork

Markings

Provenance

Exhibition History

Published References

Catalogue Raisoneé

Credit Line for Reproduction

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