Haute Surveillance

1986

Pierre Alechinsky Belgian, born 1927

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Haute Surveillance

Artwork Date 1986

Artist Pierre Alechinsky

Life Dates born 1927

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Belgian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Acrylic, paper on canvas

Dimensions Unframed: 107 1/2 × 97 1/2 inches (273.1 × 247.7 cm) Framed: 108 9/16 × 98 5/8 × 2 1/4 inches (275.7 × 250.5 × 5.7 cm)

Classification Paintings

Department Contemporary Art after 1950

Credit Founders Society Purchase, W. Hawkins Ferry Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1987.35

Markings

Signed Signed and dated, lower right of center image: Alechinsky 1986

Inscriptions Inscribed, on reverse of canvas: "275 x 250 [crossed out in red ink with '274' written] | Alechinsky || 1986

Provenance

Galerie Maeght Lelong (New York, New York, USA). 1987-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Bulletin of the DIA 64, 2-3 (1988): p. 40 (fig. 26).

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Catalogue Raisoneé

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Credit Line for Reproduction

Pierre Alechinsky, Haute Surveillance, 1986, acrylic, paper on canvas. Detroit Institute of Arts, Founders Society Purchase, W. Hawkins Ferry Fund, 1987.35.