Hawk

19th century

Tlingit, Native American

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Markings

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Provenance

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Exhibition History

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Hawk

Artwork Date 19th century

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Native american

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Tlingit

Medium Wood (possibly cedar) and paint

Dimensions Overall: 17 1/4 × 5 3/8 × 6 3/8 inches (43.8 × 13.7 × 16.2 cm)

Classification Sculpture

Department Indigenous Americas

Credit Bequest of John S. Newberry

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 65.255

Markings

Inscriptions ------

Provenance

between 1910-1935, collected by Frederic W. Skiff

1939, acquired by Museum of the American Indian Heye Foundation (New York, New York, USA)

1951, acquired by exchange by (Carlebach Galleries, New York, New York, USA). purchased by John S. Newberry [1910-1964] (Romeo, Michigan and New York, New York, USA)

1965-present, bequethed to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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