The Hazelnuts (The Nut Gatherers)

1882

William-Adolphe Bouguereau French, 1825-1905

On View

Era of Revolution, Level 3, South Wing

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About the Artwork

Bouguereau shows us two innocent girls posing in a glade, unaware of the dangers of life. The fresh faces, smooth skin, and bare feet remind us of the vulnerability of youth and of that privileged world of simple pleasures and intense youthful friendship before the responsibilities of adult life begin. Bouguereau was a teacher who upheld traditional values in painting at the Académie des Beaux Arts in Paris.

Title The Hazelnuts (The Nut Gatherers)

Artwork Date 1882

Artist William-Adolphe Bouguereau

Life Dates 1825-1905

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 34 1/2 × 52 3/4 inches (87.6 × 134 cm) Framed: 44 5/8 × 62 3/8 × 2 7/8 inches (113.3 × 158.4 × 7.3 cm)

Classification Paintings

Department European Modern Art to 1970

Credit Gift of Mrs. William E. Scripps

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 54.458

Markings

Signed Signed and dated, lower left: W-BOVGVEREAV-1882

Inscriptions ------

Provenance

November 22, 1882, sold by the artist to (Adolph Goupil & Cie., Paris, France)

December 5, 1882, (Samuel P. Avery, New York, New York, USA)

by 1884, Mary Jane Morgan [1825–1885], New York, New York, USA

March 3–15, 1886, American Art Association sale (New York, New York, USA), lot 154

1886, James E. Scripps [1835–1906] (Detroit, Michigan, USA)

until 1954, William E. Scripps [1882–1952] and Mrs. William E. Scripps [1884–1968] (Detroit, Michigan, USA)

1954-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Baschet, L[udovic], ed. Catalogue Illustré des Oeuvres de W. Bouguereau. Paris, 1885, p. 63.

“The Morgan Collection of Paintings.” Art Amateur 14, no. 5 (October 1885): pp. 89–90, p. 89.

Catalogue of the Art Collection Formed by the Late Mrs. Mary J. Morgan. Sales cat., American Art Galleries, New York, March 8, 1886, p. 66, no. 154.

Catalogue of Works of Art Exhibited at the First Annual Exhibition, Held in Merrill Hall, Opening May 29, 1886. Exh. cat., Detroit Museum of Art. Detroit, 1886, p. 7, no. 19.

"The Morgan Picture Sale: List of the Pictures, Prices, and Names of the Buyers and Dealers." Art Amateur 14, no. 5 (April 1886): p. 117.

Catalogue of Paintings, Water Colors, Drawings, Etchings and Collection of Corean Antiquities, Second Exhibition, Detroit Museum of Art. Exh. cat., Detroit Museum of Art. Detroit, 1889, p. 7, no. 8.

Catalogue of a Private Collection of Paintings, Ancient and Modern. Detroit, 1897, p. 4, no. 4.

Vachon, Marius. William Bouguereau. Paris, 1900, p. 155.

Réau, Louis. L'Art Français aux États-Unis. Paris, 1926, p. 164.

Paintings in the Detroit Institute of Arts: A Check List of the Paintings Acquired before June, 1965. Detroit, 1965, p. 17.

Paintings in the Detroit Institute of Arts: A Check List of the Paintings Acquired before January 1967. Detroit, 1967, p. 17.

Ocvirk, Otto G., Robert O. Bone, Robert E. Stinson and Philip R. Wigg. Art Fundamentals: Theory and Practice. Dubuque, 1968, p. 8 (ill.).

Paintings in the Detroit Institute of Arts: A Check List of the Paintings Acquired before May, 1970. Detroit, 1970, p. 21.

Isaacson, Robert. William-Adolphe Bouguereau. Exh. cat., New York Cultural Center. New York, 1975, p. 26, no. 18 (ill.).

Isaacson, Robert. “The Evolution of Bouguereau’s Grand Manner.” Minneapolis Institute of Arts Bulletin 62 (1975): 75–83, pp. 81–82 (ill.).

Masterpieces from The Detroit Institute of Arts. Exh. cat., Bunkamura Museum of Art, et al. Tokyo, 1989, p. 87 (ill.); pp. 171, 218–219, 241, no. 55 (ill.).

Peck, William H. The Detroit Institute of Arts: A Brief History. Detroit, 1991, pp. 34–35 (ill.).

Treasures from the Detroit Institute of Arts: Masters of Impressionism and Modern Art. Exh. cat., Detroit Institute of Arts, Sogo Museum of Art, et al. Tokyo, 2001, pp. 10 (ill.), 30, 33.

"Let yourself go to the new DIA." Bulletin of the Detroit Institute of Arts 81, no. 3/4 (2007): pp. 3–38, pp. 18, 20–21 (ill.).

Sojka, Nancy. "Self-Portraiture: Reflections on Lovis Corinth." Bulletin of the Detroit Institute of Arts 83, no. 1/4 (2009): pp. 64–71, p. 65.

Bartoli, Damien and Frederick Ross. William Bouguereau. New York, 2010, vol. 1: p. 283 (ill.); vol. 2: p. 213 (ill.).

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Catalogue Raisoneé

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Credit Line for Reproduction

William-Adolphe Bouguereau, The Hazelnuts (The Nut Gatherers), 1882, oil on canvas. Detroit Institute of Arts, Gift of Mrs. William E. Scripps, 54.458.