The Holy Family

ca. 1516

Dosso Dossi Italian, ca. 1479-1542

Not On View

Image Only Image + Details All Images High Resolution TIFF Metadata

About the Artwork

Please note: This section is empty
Markings

Please note: This section is empty

This section contains information about signatures, inscriptions and/or markings an object may have.
Provenance

Please note: This section is empty

Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:
Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.
Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.
Catalogue Raisonné

Please note: This section is empty

A catalogue raisonné is an annotated listing of artworks created by an artist across different media.
Credit Line for Reproduction

Please note: This section is empty

The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Title The Holy Family

Artwork Date ca. 1516

Artist Dosso Dossi

Life Dates ca. 1479-1542

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Italian

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on wood panel

Dimensions Unframed: 20 5/8 × 16 3/4 inches (52.4 × 42.5 cm) Framed: 25 1/2 × 22 × 2 inches (64.8 × 55.9 × 5.1 cm)

Classification Paintings

Department European Painting

Credit Gift of Mr. and Mrs. E. Raymond Field

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 30.412

Markings

Inscriptions ------

Provenance

ca. 1929, collection of Baron Alexander Vay (Hungary)

Mr. and Mrs. Raymond E. Field (Detroit, Michigan, USA)

1930-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

"Detroit Acquires Two Old Masters," Art News, vol. 29 (December 6, 1930): p. 8; (repr.) p. 5.

Valentiner, W.R. "Three Ferrarese Paintings," Bulletin of the DIA 12, no. 6 (March 1931): pp. 66-70, esp. pp. 66-68, (cover repr.).

Berenson, B. Italian Pictures of the Renaissance. Oxford, 1932, p. 173 [as a "Nativity"].

Berenson, B. Pitture italiane del rinascimento. Milan, 1936, p. 150.

Longhi, R. Ampliamenti nell'officina ferrarese. Florence, 1940. Reprint, R. Longhi, Officina ferrarese, Florence, 1956, p. 159.

Richardson, E. P., ed. DIA Catalogue of Paintings, 2nd ed. Detroit, 1944, p. 39, no. 508.

Christmas Exhibition. Exh. cat., Grand Rapids Art Gallery. Grand Rapids, December 5- January 6, 1957.

Arslan, E. "Una Natività di Dosso Dossi," Commentari, vol. 8. October-December 1957, pp. 257-61, esp. p. 259.

Trenti, M. Antonelli, Arte antica e moderna, vol. 28. 1964, p. 413.

Puppi, L. Dosso Dossi [I maestri di colore, vol. 78]. Milan, 1965, n.p.

Dreyer, P. "Die Entwicklung des jungen Dosso," Pantheon, vol. 23 (1965): pp. 22-30, esp. p. 22.

Mezzetti, A. Il Dosso e Battista ferraresi. Milan, 1965, pp. 17, 77-78.

Paintings in the DIA: a checklist of the paintings acquired before June 1965. Detroit, 1965, p. 35 [dates picture to ca. 1510-20].

Gibbons, F. Dosso and Battista Dossi: court painters at Ferrara. Princeton, 1968, pp. 220, 231, no. 88.

Berenson, B. Italian pictures of the Renaissance: a list of the principal artists and their works with an index of places. In Central Italian and North Italian schools, vol. 1. London, 1968, p. 111.

Fredericksen, B. and F. Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, 1972, p. 67.

Humfrey, P. and M. Lucco. Dosso Dossi: court painter in Renaissance Ferrara. Exh. cat., Pinacoteca nazionale, Metropolitan Museum of Art, J. Paul Getty Museum. Ferrara, New York, Los Angeles, 1998, p. 104, (fig. 4) [cited in conjunction with cat. 7, Virgin and Child ("La Zingarella"; dates DIA picture to ca. 1515-16)].

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback