Home, Sweet Home

1931

Charles Sheeler American, 1883-1965

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Home, Sweet Home

Artwork Date 1931

Artist Charles Sheeler

Life Dates 1883-1965

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 36 × 29 inches (91.4 × 73.7 cm) Framed 42 Inches x 34 Inches x 2 1/4 inches (106.7 x 86.4 x 5.7 cm)

Classification Paintings

Department American Art before 1950

Credit Gift of Robert H. Tannahill

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 45.455

Copyright Everything is in the public domain with the exception of photographs which is held by the Museum of Fine Arts, Boston according to Karen E. Haas, Curator of Photographs for that museum.

Markings

Signed Signed and dated, lower right: Sheeler 1931

Inscriptions ------

Provenance

1932-1945, Robert H. Tannahill (Grosse Pointe Farms, MI), purchased from the Downtown Gallery (New York) 1945-present, Detroit Institute of Arts (Detroit, Michigan, USA), gift of Robert H. Tannahill.

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Rourke, Constance. Charles Sheeler. New York, 1938, pp. 154-155, 101 (ill.).

Bulletin of the DIA 25, 3 (1946): no. 21.

Handbook of the DIA. Detroit, 1971, p. 174.

Fillin-Yeh, S. “Charles Sheeler’s American Interiors.” Antiques (April 1987): p. 834 (pl. 11).

Lucic, K. “Charles Sheeler and Henry Ford: A Craft Heritage for the Machine Age.” Bulletin of the DIA 65, 1 (1989): pp. 37-47 (ill.).

Burdan, Amanda C. Rural Modern: American Art Beyond the City. Exh. cat., Brandywine River Museum of Art. Chadds Ford, Pennsylvania, 2016, pp. 54-55 (fig. 7).

Le Peinture Americaine des Annees 1930: The Age of Anxiety. Exh. cat., musee d'l'Orangerie. Paris, 2016, pp.98 -103, (fig. 55).

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Catalogue Raisoneé

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Credit Line for Reproduction

Everything is in the public domain with the exception of photographs which is held by the Museum of Fine Arts, Boston according to Karen E. Haas, Curator of Photographs for that museum.

Charles Sheeler, Home, Sweet Home, 1931, oil on canvas. Detroit Institute of Arts, Gift of Robert H. Tannahill, 45.455.