Artist possibly workshop of Giovanni Battista Tiepolo, Italian, 1696-1770
Title
  • The Immaculate Conception
Date 1733/1736
Medium oil on canvas
Dimensions Unframed: 13 5/16 × 11 1/8 × 1/16 inches (33.8 × 28.3 × 0.1 cm)
Framed: 19 11/16 × 16 9/16 × 2 15/16 inches (50 × 42 × 7.5 cm)
Credit Line Gift of Mr. and Mrs. Edgar B. Whitcomb
Accession Number 36.29
Department European Painting
On View European S2DD, Level 2 (see map)
Inscriptions Canvas verso, in ink, per a 1977 photograph: G[..] Battista Tiepolo / [two illegible lines]
1903, sold at auction by Galerie Leislter (Leister) (Vienna, Austria).
by 1905–1912, Galerie Weber (Hamburg, Germany);
1912, sold at auction by Rudolph Lepke’s Kunst-Auctions-Haus (Berlin, Germany);
1912, purchased by Marcell Nemes [1866–1930] (Budapest, Hungary);
1913 June 17, sold at auction by Galerie Manzi (Paris, France).
by 1930, Axel Beskow (Los Angeles, California, USA);
1930, purchased by Edgar B. and Anna Scripps Whitcomb (Detroit, Michigan, USA);
1930–1936, collection of Edgar B. and Anna Scripps Whitcomb (Detroit, Michigan, USA);
1936–present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)
Frimmel, Theodor V. "Rundschau." Blätter fur Gemäldekunde 1 (1905): p. 15.

Molmenti, Pompeo. Giovanni Battista Tiepolo: la sua vita e le sue opera. Milan, 1909, p. 316 (ill.). [as by imitator of Tiepolo]

Sack, Eduard. Giambattsta und Domenico Tiepolo: Ihr Leben und Ihre Werke. Hamburg, 1910, p. 188, no. 328.

Molmenti, Pompeo. Tiepolo, La Vie et L'Oeuvre du Peintre. Paris, 1911, p. 253, pl. 241. (ill.). [as by imitator of Tiepolo]

Galerie Weber: Hamburg. Sales cat., Rudolph Lepke’s Kunst-Auctions-Haus., February 20–22, 1912, p. 74, no. 163.

Collection Marczell de Nemes de Budapest. Sales cat., Galerie Manzi, Paris, June 17–18, 1913, unpaginated, no. 83 (ill.).

Heil, Walter. Catalogue of Paintings in the Permanent Collection of The Detroit Institute of Arts of the City of Detroit. Detroit, 1930, unpaginated, no. 224 (ill.).

Scheyer, Ernest. "Some Paintings by Tiepolo." Bulletin of the Detroit Institute of Arts 16, no. 2 (November 1936): 24–27, pp. 26–27 (ill.).

Scheyer, Ernest. Baroque Painting. Detroit, 1937, pp. 31–32 (ill.).

Richardson, Edgard P. The Detroit Institute of Arts, Catalogue of Paintings. Detroit, 1944, p. 132, no. 224. [as by Giovanni Battista Tiepolo; dated about 1740]

Richardson, Edgar P. Catalogue of the Paintings and Sculpture Given by Edgar B. Whitcomb and Anna Scripps Whitcomb to the Detroit Institute of Arts. Detroit, 1954, p. 103.

Morassi, Antonio. A Complete Catalogue of the Paintings of G.B. Tiepolo. London, 1962, p. 11 [As "Contemporary copy after the sketch in Amiens."]

Fredericksen, Burton B. and Zeri, Federic. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972, p. 196. [as by School/Studio of Giovanni Battista Tiepolo]

Gemin, Massimo and Filippo Pedrocco. Giambattista Tiepolo: i Dipinti, Opera Completa. Venice, 1993, p. 302.

Giambattista Tiepolo, 1696–1770. Exh. cat., Musée du Petit Palais. Paris, 1998, p. 116, n. 5.

Bissell, R. Ward, Andria Derstine and Dwight Miller. Masters of Italian Baroque Painting: The Detroit Institute of Arts. London, 2005, pp. 9, 196–99, no. 63.

Derstine, Andria. "The Detroit Institute of Arts and Italian Baroque Painting." In Buying Baroque: Italian Seventeenth-Century Paintings Come to America, ed. Edgar Peters Bowron. University Park, 2017, p. 97.