Jar

between 475 and 450 BCE

Villa Guilia Painter Greek

On View

Ancient Greek and Roman, Level 2, South Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Jar

Artwork Date between 475 and 450 BCE

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Greek

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Villa guilia painter

Medium Clay

Dimensions Overall (including handles): 13 1/8 × 14 9/16 × 10 15/16 inches (33.3 × 37 × 27.8 cm) Overall (outside diam. of mouth): 8 11/16 inches (22.1 cm) Overall (diam. of foot): 5 1/2 inches (14 cm)

Classification Ceramics

Department Greco-Roman and Ancient European

Credit Founders Society Purchase, General Membership Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 63.12

Markings

Inscriptions Inscribed, underside, Graffito: [Gamma Rho] [see Curators files for reproduction]

Provenance

possibly Forman [no. 352]

1936, collection of Marsden J. Perry (Providence, Rhode Island, USA)

March 6-7, 1936, auction of M. J. Perry (Anderson Galleries, Providence, Rhode Island, USA), lot 32

collection of William Randolph Hearst

April 5-6, 1963, auction of W. R. Hearst (Parke Bernet, New York, New York, USA), lot 60

1963-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Frickenhaus, A. Lenäenvasen. Berlin, 1912, p. 36.

J. Marsden Perry. Sales cat., Anderson Galleries. Providence, Rhode Island, March 6-7, 1936, lot 32.

Beazley, J. Attic Red-figure Vase Painters. Oxford, 1956, p. 403, no. 37; 1963 ed., p. 621, no. 42 [attributed to Villa Giulia Painter].

William Randolph Hearst. Sales cat., Parke Bernet. New York, April 5-6, 1963, lot 60, (repr.).

Philippaki, B. The Attic Stamnos. Oxford, 1967, pp. 140-141, 154.

Beazley, J. D. Paralipomena: Additions to Attic black-figure Vase-Painters and to Attic red-Figure Vase-painters. Oxford, 1971, p. 398, Addenda 270.

Schone, A. Der Thiasos. Göteborg, 1987, pp. 178, 588.

Frontisi-Ducroux, F. Le dieu-masque: une figure du Dionysos à Athënes. Paris, 1991, L 8.

Miller, M. C. "The Parasol: An oriental Status-Symbol in late Archaic and Classical Athens," Journal of Hellenic Studies, vol. 112 (1992): pp. 91-105; p. 101.

Delavaud-Roux, M-H. "L'enigme des danseurs b arbus au parosol et les vases des Lénéennes," Revue archéologique, (1995): pp. 227-263, pp. 259-260.

Madigan, B. Corinthian and Attic Vases in the Detroit Institute of Arts. In Monumenta Graeca et Romana, vol. 12. Leiden/Boston, 2008, pp. 46-47, cat. 62, (fig. 88-89).

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Catalogue Raisoneé

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Credit Line for Reproduction

attributed to Villa Guilia Painter, Jar, between 475 and 450 BCE, clay. Detroit Institute of Arts, Founders Society Purchase, General Membership Fund, 63.12.