Jerusalem from Olivet

1921

James McBey Scottish, 1883-1959

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Markings

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About the Artwork

Title Jerusalem from Olivet

Artwork Date 1921

Artist James McBey

Life Dates 1883-1959

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Scottish

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Drypoint printed in black ink on wove paper

Dimensions Plate: 6 3/4 × 14 3/8 inches (17.1 × 36.5 cm) Sheet: 9 1/4 × 16 3/8 inches (23.5 × 41.6 cm)

Classification Prints

Department Prints, Drawings & Photographs

Credit Gift of K. T. Keller

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 55.279

Markings

Signed Signed and dated, in plate, lower center: McBey 1921 Jerusalem December 1917 Signed, in ink, lower right: James McBey

Inscriptions Inscribed, in ink, lower left: XXXIX Inscribed, in pencil, lower left: 77 proofs Inscribed, lower left edge: 87811 Inscribed, center lower edge: Jerusalem from Olivet

Marks Watermark: J WHATMAN | Tu( ) KEY MILL | 1823

Provenance

K. T. Keller

1955-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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