The Kitchen at Piette's, Montfoucault

1874

Camille Pissarro French, 1830-1903

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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About the Artwork

Title The Kitchen at Piette's, Montfoucault

Artwork Date 1874

Artist Camille Pissarro

Life Dates 1830-1903

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. French

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 18 1/4 × 22 inches (46.4 × 55.9 cm) Framed: 26 1/16 × 29 1/2 × 2 inches (66.2 × 74.9 × 5.1 cm)

Classification Paintings

Department European Modern Art to 1970

Credit Bequest of Edward E. Rothman

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 75.31

Markings

Signed Signed and dated, lower left: C. Pissarro. 74.

Inscriptions ------

Provenance

1904, inherited from artist, by Julie Pissarro (France)

(Galerie Georges Petit, Paris, France)

purchased by, Albert Kahn (Detroit, Michigan, USA)

by descent, collection of Mr. and Mrs. [Ruth Kahn] Edward E. Rothman

1975-present, bequest to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

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Published References

Retrospective Camille Pissarro. Galerie Manzi et Joyant. Paris, 1914, cat. 63.

Retrospective Camille Pissarro. Leicester Galleries. London, 1920, cat. 58.

Lecomte, G. Camille Pissarro. Edition Bernheim-Jeune. Paris, 1922, (repr.) after p. 50.

Pissarro, L. R. & L. Venturi. Camille Pissarro, son Art, son Oeuvre. Paul Rosenberg. Paris, 1939, vol. 1, cat. 276, p. 119; vol. 2, pl. 56.

"Annual Report European Art," Bulletin of the DIA 55, no. 1 (1976): pp. 12-13, (fig. 8).

"Supplement," Gazette des Beaux Arts, 1310 (March 1979): p. 55, no. 244.

Lloyd, Chr. Camille Pissarro, (Discovering the Nineteenth Century). Geneva/New York, Skira/Rizzoli, 1981, pp. 76, 146, 73, (repr.).

Shiff, Richard. Cézanne and the End of Impressionism. Chicago & London, 1984, p. 206, (fig. 46).

Thomson, Richard. Camille Pissarro Impressionism, Landscape and Rural Labour. City Museum, Birmingham and Gallery-Glasgow, Burrell Collection. Birmingham, 1990, p. 41, (fig. 43) [not in exhibition].

Impressionism to the Present Camille Pissarro and his Descendants. Museum of Art, Fort Lauderdale. Fort Lauderdale, 2000, p. 51, cat. 20, (repr.).

Treasures from the Detroit Institute of Arts: Masters of Impressionism and Modern Art. Sogo Museum of Art, et al. 2001, pp. 32, 50, no. 3, color repro. p. 51 [in Japanese, entry by A. Marcereau on file].

"L'atre." In Camille Pissarro (1830-1903) St. Thomas to Paris. Exh. cat., Stern Pissarro Gallery. London, November 11-December 6, 2003, no. 13. [entry mentions DIA painting as comparanda].

Pissarro, J. & C. Durand-Ruel Snollaerts. Pissarro Critical Catalogue of Paintings. Wildenstein Institute. Paris, 2005, vol. 2, p. 287, cat. 380, (repr.).

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