La Duchesse de Gramont

1924

Edward J. Steichen American, 1879-1973

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About the Artwork

Edward Steichen, one of the most prominent figures in early twentieth-century photography, is recognized for both his artistic and commercial work at a time when photography had only slight recognition as a serious art form. Consequently, aesthetic innovation in photographic circles was often evident in magazine work, and Steichen believed that fashion and other commercial photography could be raised to the level of high art. From 1923 to 1938, he was the chief photographer for publishing firm Condé Nast. He work appeared frequently in Vanity Fair and Vogue where Steichen set a standard for fashion and portrait photography in ways that shaped the genres for many years. He considered this photograph of Elisabeth da Gramont (1875–1954) a “fashion portrait.” The subject was a sophisticated, albeit bohemian, Parisian aristocrat and woman of letters, who helped to exemplify his refined, yet casual approach to fashion as well as portraiture in the mid-1920s. From Bulletin of the Detroit Institute of Arts 89 (2015)

Title La Duchesse de Gramont

Artwork Date 1924

Artist Edward J. Steichen

Life Dates 1879-1973

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Gelatin silver print

Dimensions Sheet: 9 1/2 × 7 1/2 inches (24.1 × 19.1 cm)

Classification Photographs

Department Prints, Drawings & Photographs

Credit Museum Purchase with funds from the Founders Junior Council

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 2002.116

Markings

Inscriptions Inscribed, dated in pencil, on verso: #1 [encircled]; Gramont | June 1924 | #119 | PF36563e In blue pencil, on verso of mount, upper center: 35 In red pencil, on verso of mount, left center: 18.

Provenance

Joanna Steichen, New York, New York, 2002 2002-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

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We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

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Catalogue Raisoneé

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Credit Line for Reproduction

Edward J. Steichen, La Duchesse de Gramont, 1924, gelatin silver print. Detroit Institute of Arts, Museum Purchase with funds from the Founders Junior Council, 2002.116.