Lacy Compote

between 1835 and 1840

Boston & Sandwich Glass Company American, 1826 - 1888

On View

American, Level 2, West Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Lacy Compote

Artwork Date between 1835 and 1840

Artist Boston & Sandwich Glass Company

Life Dates 1826 - 1888

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Pressed lead glass

Dimensions Overall: 7 5/8 × 12 3/16 × 9 1/8 inches (19.4 × 31 × 23.2 cm)

Classification Glass

Department American Art before 1950

Credit Founders Society Purchase, Joseph H. Boyer Memorial Fund, Eleanor Clay Ford Fund, Gibbs-Williams Fund, Robert H. Tannahill Foundation Fund, Director's Discretionary Fund; gifts from Mrs. J. Willard Babbit, Mrs. Katharine De Mille Campau, Julius Carlebach, Mrs. Edsel B. Ford, Mrs. E. B. Gibbs, Lillian Henkel Haass, Virginia Harriman, Mrs. M. L. Hastings, Mrs. D. M. Hollingsworth, Mrs. George Kamperman, Mrs. Ernest Kanzler, Helen Keep, Mr. and Mrs. Howard Ladue, Mr. and Mrs. Mark Littler, Mrs. Rene Muller, Mrs. Lewis M. Parrott, Jess Pavey, Mrs. Gustavus D. Pope, E. P. Richardson, Mary F. Stevens, Mary Chase Stratton, Robert H. Tannahill, Mrs. C. L. Williams, Mrs. Charles Willim, Winfield Foundation, City of Detroit by exchange

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1996.13

Markings

Inscriptions ------

Provenance

by 1932, Mrs. William Grieg Walker (New York, USA)

Mrs. Tallman Russell (as agent, James P. Rose, Canton, Ohio, USA)

until 1986, Mr. William J. Elsholz (Detroit, Michigan, USA)

1986-1993, Paul Richards (Templeton, Massachusetts, USA)

1993-1996, Hirschl and Adler (New York, New York, USA)

1996-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Frank W. Chipman. The Romance of Old Sandwich Glass. 1932, pp. 128, 132 (ill.).

Lee, Ruth Webb. Sandwich Glass. 1947, pp. 382, 385 (pl. 142).

Spillman, Jane Shadel. “American and European Pressed Glass in the Corning Museum of Glass.” 1981, p. 203, no. 794 (ill.).

Barlow, Raymond E. and Joan E. Kaiser. The Glass Industry in Sandwich. Windham, NH, 1993, p. 129, no. 1077 (ill.).

“American Decorative Arts Acquisitions 1985-2005.” Bulletin of the DIA 81, 1-2 (2007): p. 63.

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Catalogue Raisoneé

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Credit Line for Reproduction

Boston & Sandwich Glass Company, Lacy Compote, between 1835 and 1840, pressed lead glass. Detroit Institute of Arts, Founders Society Purchase, Joseph H. Boyer Memorial Fund, Eleanor Clay Ford Fund, et al., 1996.13.