Martyrdom of St. George

17th century

Anton van Dyck Flemish, 1599-1641

Not On View

Image Only Image + Details All Images High Resolution TIFF Metadata

About the Artwork

Please note: This section is empty
Markings

Please note: This section is empty

This section contains information about signatures, inscriptions and/or markings an object may have.
Provenance

Please note: This section is empty

Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:
Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.
Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.
Catalogue Raisonné

Please note: This section is empty

A catalogue raisonné is an annotated listing of artworks created by an artist across different media.
Credit Line for Reproduction

Please note: This section is empty

The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

Title Martyrdom of St. George

Artwork Date 17th century

Artist Anton van Dyck

Life Dates 1599-1641

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Flemish

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on oak panel

Dimensions Unframed: 9 1/4 × 7 inches (23.5 × 17.8 cm) Framed: 16 7/8 × 14 3/4 × 2 5/8 inches (42.9 × 37.5 × 6.7 cm)

Classification Paintings

Department European Painting

Credit Gift of A. S. Drey

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 29.446

Markings

Inscriptions ------

Provenance

collection of Edouard Warneck (Paris, France)

May 27-28, 1926, auctioned by (G. Petit, Paris, France), lot 39

(A. S. Drey, Munich, Germany)

1929-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Heil, W. "Sketches by Rubens and Van Dyck," Bulletin of the DIA 11, no. 6 (1930): pp. 78-80, (repr.).

Heil, W. Catalogue of Paintings in the Permanent Collection of The Detroit Institute of Arts. Detroit, 1930, cat. 68, (repr.) [as Anthony van Dyck].

Glück, G. Van Dyck/Des Meisters Gemälde, KdK XIII. Stuttgart-Berlin, 1931, pp. 252, 546.

Scheyer, E. Baroque Painting. DIA. Detroit, 1937, pp. 45, 47, (fig. 18) [as Anthony van Dyck].

Richardson, E.P., ed. Catalogue of Paintings. Detroit, 1944, p. 42, no. 68 [as A. van Dyck].

Vey, H. "Anton Van Dycks Olskizzen," Bulletin Musées Royaux des Beaux-Arts de Belgique, vol. 5, no. 3/4 (1956): p. 206, no. 38 [as by an imitator].

Antoon van Dyck/Teckeningen in Olieverfschetsen. Exh. cat., Museum Boymans-Van Beuninngen. Antwerp, 1960, p. 162, [cited under cat. 128, as by an imitator; exh. organized by R.-A. d'Hulst].

Homage to Rubens. Exh. cat., DIA. Detroit, 1978, cat. 9 [cat. entry by M. Grimes].

Van Dyck as Religious Artist. Exh. cat., Princeton University Art Museum. Princeton, 1979, p. 142, [cited under no. 38 as by an imitator in Van Dyck's studio].

Held, J.S. Flemish and German Paintings of the Seventeenth Century. The Collections of The Detroit Institute of Arts. Detroit, 1982, pp. 42-44, (repr.) [as copy after van Dyck].

Anthony van Dyck as a printmaker. Exh. cat., Plantijn Moretus Museum/Stedelijk Prentenkabinet, Rijksmuseum. Antwerp, Amsterdam, 1999-2000, pp.328-331, [cited under cat. 45, (fig. 2)].

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

Suggest Feedback