About the Artwork
Rosenquist’s experience as a billboard painter contributed to a unique vision; his imagery shifts from telescopic to microscopic. Rosenquist bears witness to this country’s triumphs and defeats, its explorations of outer space, and its inquiry into inner truths. Every four years since 1964, the artist has created a “Presidential Election” painting, a “reality check” on the viability and survival of the American Dream. Against a background of trade wars and star wars, “Masquerade” sets into perspective man’s proclivity for destruction—the Stealth bomber—and nature’s wondrous capacity for creation—the butterfly emerging from the caterpillar.
Masquerade of the Military Industrial Complex Looking Down on the Insect World
1992
James Rosenquist
1933 - 2017
American
Unknown
Oil and mixed media on canvas
Overall: 90 inches × 29 feet 2 inches (228.6 cm × 8 m 89 cm)
Paintings
Contemporary Art after 1950
Founders Society Purchase, gift of Mrs. George Kamperman by exchange
1993.62
Copyright not assessed, please contact [email protected].
Markings
Signed, back of panels: James Rosenquist
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Provenance
the artist
(Castelli Gallery, New York, New York, USA)
1993-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)
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Provenance pageExhibition History
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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.
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James Rosenquist. Exh. cat., Castelli Gallery. New York, 1993, pp. 16-17.
Van der Marck, Jan. "The Detroit Institute of Arts." In James Rosenquist: The Big Paintings. New York, 1994, n.p.
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Credit Line for Reproduction
James Rosenquist, Masquerade of the Military Industrial Complex Looking Down on the Insect World, 1992, oil and mixed media on canvas. Detroit Institute of Arts, Founders Society Purchase, gift of Mrs. George Kamperman by exchange, 1993.62.
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