Millefleurs Fragment: Jupiter, King of the Gods

between 1500 and 1520

Flemish

Not On View

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Millefleurs Fragment: Jupiter, King of the Gods

Artwork Date between 1500 and 1520

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Flemish

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Wool and silk

Dimensions Overall: 97 × 36 3/4 inches (246.4 × 93.3 cm)

Classification Tapestries

Department European Sculpture and Dec Arts

Credit Gift of Mrs. Edsel B. Ford and K. T. Keller

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 58.415

Markings

Inscriptions Inscribed, on border of cloak: IUPITER[...]

Provenance

Prince de Ligne (possibly Brussels, Belgium)

(French & Co.) (New York, New York, USA)

until 1953, Katherine Deere Butterworth [1866–1953] (Moline, Illinois, USA)

October 23, 1954, Katherine Butterworth collection sale (Parke-Bernet Galleries, New York, New York, USA), lot 340

(French & Co.) (New York, New York, USA)

purchased by Mr. Douglas F. Roby [1898–1992] and Mrs. Ruth Clippert Roby [1902–1990] (Grosse Pointe, Michigan, USA) via K.T. Keller, for DIA

1959-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Ackerman, P. The Rockefeller McCormick Tapestries: Three Early Sixteenth Century Tapestries, with a Discussion of the History of the Tree of Life. New York, 1932, p. 11, pl. 29 and 31 Q (ill.).

French XVIII Century Furniture & Works of Art. Chinese Jades and Porcelains, Georgian Silver, Gothic & Renaissance Arts, Oriental Rugs Collected by the Late Katherine Deere Butterworth. Sales cat., Parke-Bernet Galleries, Inc. New York 1954, p. 82, no. 341 (ill.).

Weibel, A. Coulin. "A Pair of Franco-Flemish Tapestries," Bulletin of the DIA 39, no. 3-4 (1959-60): pp. 96-97 (ill.).

Bruges. Le Siecle des Primitifs Flamands. Exh. cat. (?), June 26-September 11, 1960, cat. no. 137.

Flanders in the Fifteenth Century: Art and Civiliation. Exh. cat., DIA. Detroit, October 16-December 31, 1960, cat. no. 155, pp. 332-333; p. 333 (ill.).

Asselberghs, J.P. Les Tapiesseries Flamande aux Etats-Unis d'Amerique. Brussels, 1974, p. 23.

Woven Splendor: Five Centuries of European Tapestry at the Detroit Institute of Arts. Exh. cat., DIA. Detroit, July-September 1996, cat. no. 4, pp. 13, 27; p. 26 (color rep) [entry by A. Darr/M. Holcomb].

You, Yao-Fen. "Paul Coremans, Edgar Richardson and the 1960 Flemish Art show: A Transatlantic Friendship Forged by a Transatlantic Exhibition." In A Man of Vision, Scientia Artis 15. Brussels, 2019, pp. 172, note 2.

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Catalogue Raisoneé

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Credit Line for Reproduction

Flemish, Millefleurs Fragment: Jupiter, King of the Gods, between 1500 and 1520, wool and silk. Detroit Institute of Arts, Gift of Mrs. Edsel B. Ford and K. T. Keller, 58.415.