Miss Ashton

18th century

Thomas Hudson English, 1701-1779

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

Title Miss Ashton

Artwork Date 18th century

Artist Thomas Hudson

Life Dates 1701-1779

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. English

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Overall: 32 × 27 1/8 inches (81.3 × 68.9 cm) Framed: 38 3/8 × 33 7/8 × 2 1/8 inches (97.5 × 86 × 5.4 cm)

Classification Paintings

Department European Painting

Credit Founders Society Purchase, Popular Subscription Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 26.39

Markings

Inscriptions ------

Provenance

collection of Rev. John Francis Ashton (London, England)

collection of Mr. W. Lockett Agnew

June 7, 1918, sold by (Christie's, London, England)

purchased by Wallis

(Robert C. Vose, Boston, Massachusetts, USA)

1926-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

H.J. "A Portrait by Thomas Hudson," Bulletin of the DIA 7, no. 8 (1926): p. 89, (repr.).

Heil, W. Catalogue of Paintings in the Permanent Collection of The Detroit Institute of Arts. Detroit, 1930, cat. 106, (repr.).

Richardson, E. P., ed. Catalogue of Paintings. 1944, p. 64, no. 106.

Collars and Cuffs: The Politics of Fashion in European Portraiture 1630-1880. Exh. cat., Michigan Statewide Touring Exhibition. 2000-2001 [Exhibition traveled to Rochester Hills, Battle Creek, Midland, Traverse City, Port Huron, Saint Joseph].

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