Mrs. John Pitts

1735

John Smibert American, 1688-1751

On View

American, Level 2, West Wing

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About the Artwork

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Markings

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Provenance

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Exhibition History

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About the Artwork

Title Mrs. John Pitts

Artwork Date 1735

Artist John Smibert

Life Dates 1688-1751

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. American

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Unknown

Medium Oil on canvas

Dimensions Unframed: 36 1/8 × 28 3/4 inches (91.8 × 73 cm) Framed: 42 3/4 × 34 7/16 × 2 1/8 inches (108.6 × 87.5 × 5.4 cm)

Classification Paintings

Department American Art before 1950

Credit Founders Society Purchase, Gibbs-Williams Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 58.353

Markings

Inscriptions ------

Provenance

S. Lendall Pitts (Paris, France)

by 1949, Mrs. S. Lendall Pitts (Norfolk, Virginia, USA). on loan to Mrs. Arthur Maxwell Parker (Helen Strong Pitts) (Grosse Pointe Farms, Michigan, USA). 1958-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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