• About the Artwork

    Please note: This section is empty

  • Markings

    Please note: This section is empty

    This section contains information about signatures, inscriptions and/or markings an object may have.

  • Provenance

    Please note: This section is empty

    Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

    For more information on provenance and its important function in the museum, please visit:

  • Exhibition History

    Please note: This section is empty

    The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

    We welcome your feedback for correction and/or improvement.

  • Published References

    Please note: This section is empty

    We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

  • Catalogue Raisonné

    Please note: This section is empty

    A catalogue raisonné is an annotated listing of artworks created by an artist across different media.

  • Credit Line for Reproduction

    Please note: This section is empty

    The credit line includes information about the object, such as the artist, title, date, and medium. Also listed is its ownership, the manner in which it was acquired, and its accession number. This information must be cited alongside the object whenever it is shown or reproduced.

About the Artwork

This small but striking lacquered wooden tea caddy would have introduced a graceful note of richness into the stark simplicity of the Japanese tea room. It is a container for fine powder green tea (matcha) used in the tea ceremony for thin tea (usucha). It is named after the natsume or jujube fruit, which has a similar shape. Natsume are first recorded as being used by important tea ceremony masters in 1563. Natsume extensively decorated in gold later became an indispensable part of the tea ceremony. This is one of the most dazzling and well-preserved extant natsume of the Edo period. It is in the Kodaiji maki-e style, in which dramatic effects are created through zigzag lines dividing the surface into black and gold areas. From Bulletin of the Detroit Institute of Arts 89 (2015)

Natsume Tea Caddy

early 17th century

----------

----------

Japanese

Japanese

Black lacquer on wood

Overall: 2 9/16 × 2 1/2 × 2 5/8 inches (6.5 × 6.4 × 6.7 cm)

Wood and Woodcarving

Asian Art

Museum Purchase; gifts from Henry G. Stevens, Mrs. Byron C. Foy in memory of her father Walter P. Chrysler, by exchange

2014.37

This work is in the public domain.

Markings

------

Provenance

(Takashi Yanagi)

2014-present, purchase by the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

Suggest Feedback

Published References

Please note: This section is empty

We regularly update our object record as new research and findings emerge, and we welcome your feedback for correction and/or improvement.

Suggest Feedback

Catalogue Raisoneé

Please note: This section is empty

Credit Line for Reproduction

Japanese, Natsume Tea Caddy, early 17th century, black lacquer on wood. Detroit Institute of Arts, Museum Purchase; gifts from Henry G. Stevens, Mrs. Byron C. Foy in memory of her father Walter P. Chrysler, by exchange, 2014.37.

Natsume Tea Caddy
Natsume Tea Caddy