Noh Theater Mask Box

17th century

Japanese

Not On View

Noh Theater Mask Box: 1 of Collection Gallery

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Published References

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Catalogue Raisonné

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Credit Line for Reproduction

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About the Artwork

The fabled “Mountain of Immortality,” known as Mount Horai, is depicted on this box. It was said to be found somewhere on an island in the East China Sea and endowed with the power to insure immortality. In Japan, this was popular on early lacquer works. When the common Mount Horai imagery of cranes and tortoises frolicking on a rocky shoreline dotted with bamboo and pines was combined with an assortment of insects, birds, and flowers, a very rare and special congratulatory design was created.

Title Noh Theater Mask Box

Artwork Date 17th century

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. Japanese

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. Japanese

Medium Lacquer on wood with maki-e (sprinkled gold powder) and metal fittings

Dimensions Overall: 10 5/8 × 13 7/8 × 9 5/8 inches (27 × 35.2 × 24.4 cm)

Classification Lacquer

Department Asian Art

Credit Founders Society Purchase, Ralph Harman Booth Bequest Fund, Abraham Borman Family Fund, Joseph H. Boyer Memorial Fund, Benson and Edith Ford Fund, Henry Ford II Fund and K. T. Keller Fund

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 1983.38

Markings

Inscriptions ------

Provenance

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Provenance is a record of an object's ownership. We are continually researching and updating this information to show a more accurate record and to ensure that this object was ethically and legally obtained.

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

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The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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Published References

Haino Akio, "Horai Maki-e Men Bako," NIHON SHIKKO, Feb 1983, pp 2-4.

KACHO NO BI, Kyoto National Museum, Kyoto, Oct 5-Nov 14, 1982, p 162, no 204.

DIA BULLETIN, Annual Report 1984, p 22, fig 20.

Mitchell, S., "A portfolio of East Asian lacquers," APOLLO, vol 124, no 298, Dec., 1986, p 76, (ill).

Kindly share your feedback or any additional information, as this record is still a work in progress and may need further refinement.

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Catalogue Raisoneé

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Credit Line for Reproduction

Japanese, Noh Theater Mask Box, 17th century, Lacquer on wood with maki-e (sprinkled gold powder) and metal fittings. Detroit Institute of Arts, Founders Society Purchase, Ralph Harman Booth Bequest Fund, Abraham Borman Family Fund, Joseph H. Boyer Memorial Fund, Benson and Edith Ford Fund, Henry Ford II Fund and K. T. Keller Fund, 1983.38.