Nutmeg Box

1815 or 1816

English

Not On View

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About the Artwork

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Markings

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Provenance

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Exhibition History

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Catalogue Raisonné

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About the Artwork

Title Nutmeg Box

Artwork Date 1815 or 1816

Artist ----------

Life Dates ----------

Nationality Please note: Definitions for nationality may vary significantly, depending on chronology and world events. Some definitions include: Belonging to a people having a common origin based on a geography and/or descent and/or tradition and/or culture and/or religion and/or language, or sharing membership in a legally defined nation. English

Culture Please note: Cultures may be defined by the language, customs, religious beliefs, social norms, and material traits of a group. English

Medium Silver

Dimensions 1 1/8 x 2 3/8 x 1 3/4 inches (3.0 x 6.0 x 4.3 cm)

Classification Silver

Department European Sculpture and Dec Arts

Credit Gift of Mrs. Henry Wineman

Accession Number This unique number is assigned to an individual artwork as part of the cataloguing process at the time of entry into the permanent collection. Most frequently, accession numbers begin with the year in which the artwork entered the museum’s holdings. For example, 2008.3 refers to the year of acquisition and notes that it was the 3rd of that year. The DIA has a few additional systems—no longer assigned—that identify specific donors or museum patronage groups. 60.168

Markings

Inscriptions ------

Marks Stamped inside lid: maker's mark: TP/ER/JP; lion passant in a shield; leopard's head crowned; date letter for 1815/ 1816: U in a shield; King's head facing right. Stamped on inside of bottom: same maker's marks; lion passant; U. Stamped upside down on front: partial lion passant.

Provenance

Albert H. Gary

1934, purchased by Mrs. Henry Wineman

1960-present, gift to the Detroit Institute of Arts (Detroit, Michigan, USA)

For more information on provenance and its important function in the museum, please visit:

Provenance page

Exhibition History

Please note: This section is empty

The exhibition history of a number of objects in our collection only begins after their acquisition by the museum, and may reflect an incomplete record.

We welcome your feedback for correction and/or improvement.

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